Edward Elgar, Slovak Radio Symphony Orchestra, Adrian Leaper's '5 Military Marches, Op. 39, "Pomp and Circumstance": Military March No. 1 in D Major, Op. 39, "Pomp and Circumstance"' came out on March 15, 1989. 5 Military Marches, Op. 39, "Pomp and Circumstance": Military March No. 1 in D Major, Op. 39, "Pomp and Circumstance" is about six minutes long, preciously at 6:03, making this song fairly long compared to other songs. The song is number 15 out of 19 in English Festival by Edward Elgar, Slovak Radio Symphony Orchestra. Going off of the ISRC code of this track, we detected that the origin of this track is from Hong Kong. In terms of popularity, 5 Military Marches, Op. 39, "Pomp and Circumstance": Military March No. 1 in D Major, Op. 39, "Pomp and Circumstance" is currently below average in popularity. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of 5 Military Marches, Op. 39, "Pomp and Circumstance": Military March No. 1 in D Major, Op. 39, "Pomp and Circumstance" by Edward Elgar, Slovak Radio Symphony Orchestra, Adrian Leaper is Andante (at a walking pace), since this song has a tempo of 99 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
D Major is the music key of this track. This also means that this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
生命の奇跡 for Saxophone Quartet | 雲井雅人サックス四重奏団 | G Major | 1 | 9B | 80 BPM | ||
管弦楽のためのラプソディ | 外山雄三, Tadaaki Otaka, Yomiuri Nippon Symphony Orchestra | D Minor | 2 | 7A | 132 BPM | ||
Coppelia: Act I - Mazurka | Léo Delibes, Slovak Radio Symphony Orchestra, Andrew Mogrelia | G Major | 2 | 9B | 82 BPM | ||
君が代(日本国国歌) | Hiromichi Sato, キング・スーパー・マーチ・バンド | E Minor | 3 | 9A | 125 BPM | ||
見よ、勇者は帰る | Hiromichi Sato, キング・スーパー・マーチ・バンド | F Minor | 2 | 4A | 66 BPM | ||
春の歌 | Felix Mendelssohn, Yuko Mifune | A Major | 1 | 11B | 80 BPM | ||
歌劇「椿姫」: 乾杯の歌 | Giuseppe Verdi, Monika Krause, Rannveig Braga, Ivica Neshybova, Yordy Ramiro, Georg Tichy, Peter Oswald(tenor/Primary)/Pavol Maurery(baritone/Primary)/Ladislav Neshyba(bass/Primary)/Jozef Spacek(baritone/Primary)/Peter Subert(tenor/Primary)/Slovak Philharmonic Chorus(Chorus/Primary)/Slovak Radio Symphony Orchestra, Alexander Rahbari | B♭ Major | 3 | 6B | 200 BPM | ||
ユーモレスク | Antonín Dvořák, ウィリアム・ジョーンズ, コンセル・ソンドール | G Major | 0 | 9B | 72 BPM | ||
Elegy, Op. 58 | Edward Elgar, English Northern Philharmonia, David Lloyd-Jones | F Minor | 0 | 4A | 84 BPM | ||
Falkland Islands [Song of the Falklands, "In my heart there's a call for the Isle far away…"] | Christopher Lanham, Peter Breiner, Slovak Radio Symphony Orchestra | E Major | 3 | 12B | 92 BPM |
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