"Sarabande, symphonic poem with voice: Sarabande, symphonic poem with voice" by Jean Roger-Ducasse, Orchestre National De France, Choeurs de Radio France, Rene Alix, André Girard was released on December 13, 2019. Sarabande, symphonic poem with voice: Sarabande, symphonic poem with voice appears to be safe for all ages as it is not explicit. The track order of this song in Orchestre National De France, André Girard's "INA Presents: Brahms, Inghelbrecht, Roger-Ducasse by Orchestre National de France at the Maison de la Radio (Recorded 1st November 1966)" album is number 1 out of 11. On top of that, France appears to be the country where this track was created. Sarabande, symphonic poem with voice: Sarabande, symphonic poem with voice is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Sarabande, symphonic poem with voice: Sarabande, symphonic poem with voice by Jean Roger-Ducasse, Orchestre National De France, Choeurs de Radio France, Rene Alix, André Girard to be Larghetto (rather broadly) because the track has a tempo of 62 BPM, a half-time of 31BPM, and a double-time of 124 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 3/4.
This song is in the music key of F♯ Major. This also means that this song has a camelot key of 2B. So, the perfect camelot match for 2B would be either 2B or 3A. While, 3B can give you a low energy boost. For moderate energy boost, you would use 11B and a high energy boost can either be 4B or 9B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 2A or 1B will give you a low energy drop, 5B would be a moderate one, and 12B or 7B would be a high energy drop. Lastly, 11A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
6 Pezzi, P. 44: No. 1. Valse Caressante | Ottorino Respighi, Konstantin Scherbakov | E♭ Major | 1 | 5B | 70 BPM | ||
Berceuse, Op. 57 | Frédéric Chopin, Jon Nakamatsu | D♭ Major | 0 | 3B | 65 BPM | ||
Petite suite (Version for Orchestra): No. 1. Souvenance | Jean Roger-Ducasse, Rheinland-Pfalz State Philharmonic Orchestra, Leif Segerstam | C Major | 0 | 8B | 76 BPM | ||
Intermezzo in B-Flat Minor, Op. 117/2 | Johannes Brahms, Khatia Buniatishvili | D♭ Major | 0 | 3B | 67 BPM | ||
Schumann: 6 Studien in kanonischer Form, Op. 56: No. 1, Nicht schnell | Robert Schumann, Piotr Anderszewski | C Major | 0 | 8B | 173 BPM | ||
Poèmes "Le rossignol éperdu" (Excerpts): No. 26, Mirage | Reynaldo Hahn, Sofja Gülbadamova | F♯ Major | 0 | 2B | 68 BPM | ||
12 Etudes, Op. 8 (1894): No. 4 Piacevole | Alexander Scriabin, Alexander Paley | B Major | 0 | 1B | 64 BPM | ||
Crux fidelis | Jean Roger-Ducasse, Beverly Hills All Saints' Church Choir, Craig Phillips, Thomas Foster | A♭ Major | 1 | 4B | 126 BPM | ||
Carnaval, Op. 9: XII. Chopin | Robert Schumann, Daniil Trifonov | E Major | 0 | 12B | 68 BPM | ||
24 Preludes, Op. 37, BV 181: No. 15 in D-Flat Major | Ferruccio Busoni, Holger Groschopp | D♭ Major | 0 | 3B | 133 BPM |
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