On August 1, 2003, the song "Burlesque de Quixotte: IV. Ses Soupirs amoureux après la princesse Dulcinée" was released by Georg Philipp Telemann, Simon Standage, Collegium Musicum 90. The duration of Burlesque de Quixotte: IV. Ses Soupirs amoureux après la princesse Dulcinée is about two minutes long, specifically at 2:53. This song does not appear to have any foul language. Burlesque de Quixotte: IV. Ses Soupirs amoureux après la princesse Dulcinée's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 24 in the song's album "Telemann: Overtures & Concerto". In this album, this song's track order is #9. Furthermore, we believe that the track originated from United Kingdom. Based on our statistics, Burlesque de Quixotte: IV. Ses Soupirs amoureux après la princesse Dulcinée's popularity is not that popular right now. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
With Burlesque de Quixotte: IV. Ses Soupirs amoureux après la princesse Dulcinée by Georg Philipp Telemann, Simon Standage, Collegium Musicum 90 having a BPM of 150 with a half-time of 75 BPM and a double-time of 300 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with jogging or cycling. The time signature for this track is 4/4.
This song is in the music key of C Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Overture for Flute and Bassoon in G Major: VII. Air | Christoph Graupner, Pál Németh, Paolo Tognon, Capella Savaria | F♯ Major | 2 | 2B | 131 BPM | ||
Concerto for Cello and String Orchestra in G Major, G. 480: III. Allegro | Luigi Boccherini, Yo-Yo Ma, Ton Koopman, Amsterdam Baroque Orchestra | F♯ Major | 1 | 2B | 97 BPM | ||
Amphitryon, Z. 572, "The 2 Sosias": V. Air | Henry Purcell, Andrea Jeffrey, Michelle Kettrick, Nicole Bower, Giles Tomkins, Aradia Ensemble, Kevin Mallon | F♯ Minor | 2 | 11A | 91 BPM | ||
12 Fantaisies: No. 10 in D Major, TWV 40:23: Fantasie No. 10 in D Major, TWV 40:23 | Georg Philipp Telemann, Augustin Hadelich | B♭ Major | 3 | 6B | 128 BPM | ||
Bach, JS: Concerto for Two Violins in D Minor, BWV 1043: II. Largo ma non tanto | Johann Sebastian Bach, Ton Koopman, Monica Huggett, Alison Bury, Amsterdam Baroque Orchestra | D♭ Minor | 3 | 12A | 102 BPM | ||
Overture (Suite) In G Minor, TWV 55: G4: IV. Les Capricieuses | Cologne Chamber Orchestra, Georg Philipp Telemann | G Minor | 4 | 6A | 136 BPM | ||
Recorder Concerto in F Major: 1. Allegro | Giuseppe Sammartini, Lucie Horsch, Academy of Ancient Music, Bojan Čičić | E Major | 2 | 12B | 123 BPM | ||
Armide: Overture | Jean-Baptiste Lully, Stephanie Houtzeel, Robert Getchell, François Loup, William Sharp, Ann Monoyios, Miriam Dubrow, Tony Boutté, Darren Perry, Adria McCulloch, Tara McCredie, Opera Lafayette Chorus, Opera Lafayette Orchestra, Ryan Brown | B♭ Major | 1 | 6B | 70 BPM | ||
Oboe Concerto in B-Flat Major, Wq. 164, H. 466: I. Allegretto | Carl Philipp Emanuel Bach, Jozsef Kiss, Budapest Ferenc Erkel Chamber Orchestra | B♭ Major | 1 | 6B | 131 BPM | ||
Oboe Concerto in D minor S.Z799: 2. Adagio | Alessandro Marcello, Clare Shanks, Academy of Ancient Music, Christopher Hogwood | A♭ Minor | 5 | 1A | 117 BPM |
Section: 0.4907102584838867
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