Daniel Auber, Czech Philharmonic Chamber Orchestra, Dario Salvi's 'Le concert à la cour, S. 11: Overture' came out on July 10, 2020. Since Le concert à la cour, S. 11: Overture is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The song is number 1 out of 15 in Auber: Overtures, Vol. 2 by Daniel Auber, Czech Philharmonic Chamber Orchestra, Dario Salvi. In terms of popularity, Le concert à la cour, S. 11: Overture is currently not that popular. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
The tempo marking of Le concert à la cour, S. 11: Overture by Daniel Auber, Czech Philharmonic Chamber Orchestra, Dario Salvi is Andante (at a walking pace), since this song has a tempo of 107 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
F Major is the music key of this track. This also means that this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Theme and Variations, Sonatina 4 (Thomas Attwood) | The Gerst Ensemble | D Major | 0 | 10B | 85 BPM | ||
Album for the Young, Op. 140: No. 18 Serenade in Bb | The Gerst Ensemble | A Major | 2 | 11B | 107 BPM | ||
Morceau de Concert, Op.94 for Horn and Orchestra: 2. Allegro non troppo | Camille Saint-Saëns, Hermann Baumann, Gewandhausorchester Leipzig, Kurt Masur | F Major | 1 | 7B | 122 BPM | ||
Die Reise um die Erde in 80 Tagen (Version Without Narration): Prelude | Franz von Suppé, Janacek Philharmonic Orchestra, Dario Salvi | F Major | 0 | 7B | 144 BPM | ||
Das Waldmädchen: No. 20, Allegro vivace | Paul Wranitzky, Czech Philharmonic Chamber Orchestra, Marek Štilec | F Major | 1 | 7B | 100 BPM | ||
25 Études faciles et progressives, Op. 100: No. 1, La candeur | Franz Burgmüller, The Gerst Ensemble | C Major | 0 | 8B | 97 BPM | ||
Pizzicato-Polka | Johann Strauss II, Josef Strauss, Swedish Chamber Orchestra, Thomas Dausgaard | C Major | 0 | 8B | 94 BPM | ||
Medea (Medee) (Sung in Italian): Act II: Introduction | Luigi Cherubini, Kolos Kováts, Magda Kalmár, Veriano Luchetti, Sylvia Sass, Klára Takács, József Gregor, Veronika Kincses, Katalin Szőkefalvi-Nagy, Hungarian Radio and Television Chorus, Budapest Symphony Orchestra, Lamberto Gardelli | F Major | 1 | 7B | 80 BPM | ||
Serenade for Strings in E Major, Op. 22/B. 52: II. Tempo di Valse | Antonín Dvořák, Lucerne Festival Strings, Daniel Dodds | D♭ Major | 0 | 3B | 71 BPM | ||
Morning Prayer / Interlude By Tchaikovsky | Public Domain, Craig Riley | G Major | 1 | 9B | 81 BPM |
Section: 0.7805941104888916
End: 0.7850873470306396