"Symphony No. 45 in F-Sharp Minor, Hob.I:45 "Farewell": - Adagio" by Franz Joseph Haydn, Orpheus Chamber Orchestra was released on January 1, 1988. Symphony No. 45 in F-Sharp Minor, Hob.I:45 "Farewell": - Adagio is about six minutes long, preciously at 5:54, making this song fairly long compared to other songs. The track order of this song in Franz Joseph Haydn, Orpheus Chamber Orchestra's "Haydn, J.: Symphonies Nos.Hob.I:81 & Hob.I:45 "Farewell"" album is number 9 out of 9. The popularity of Symphony No. 45 in F-Sharp Minor, Hob.I:45 "Farewell": - Adagio is currently not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Symphony No. 45 in F-Sharp Minor, Hob.I:45 "Farewell": - Adagio by Franz Joseph Haydn, Orpheus Chamber Orchestra to be Vivace (lively and fast) because the track has a tempo of 167 BPM, a half-time of 84BPM, and a double-time of 334 BPM. Based on that, the speed of the song's tempo is fast. The time signature for this track is 3/4.
A Major is the music key of this track. This also means that this song has a camelot key of 11B. So, the perfect camelot match for 11B would be either 11B or 12A. While, 12B can give you a low energy boost. For moderate energy boost, you would use 8B and a high energy boost can either be 1B or 6B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 11A or 10B will give you a low energy drop, 2B would be a moderate one, and 9B or 4B would be a high energy drop. Lastly, 8A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Vivaldi: Le quattro stagioni (The Four Seasons), Op. 8: Violin Concerto No. 3 in F Major, RV 293, "L'Autunno". I. Allegro | Antonio Vivaldi, Sarah Chang, Orpheus Chamber Orchestra | F Major | 1 | 7B | 118 BPM | ||
String Quartet in E-Flat Major, Op. 71 No. 3: I. Vivace | Franz Joseph Haydn, Maxwell Quartet | E♭ Major | 1 | 5B | 136 BPM | ||
Concerto a 5 in B flat, Op.7, no.10 for Strings and Continuo: 3. Allegro | Tomaso Albinoni, I Musici | B♭ Major | 2 | 6B | 107 BPM | ||
Elgar: Serenade for Strings, Op. 20: I. Allegro piacevole | Edward Elgar, London Philharmonic Orchestra, Sir Adrian Boult | E Minor | 1 | 9A | 125 BPM | ||
Symphony No. 3 in F Major, Op. 90: 4. Allegro | Johannes Brahms, Berliner Philharmoniker, Claudio Abbado | C Major | 1 | 8B | 79 BPM | ||
Concerto For 4 Violins in B Minor, Op. 3, No. 10, RV 580 : III. Allegro | Cologne Chamber Orchestra, Lucas Barr, Renee Ohldin, Christine Pichlmeier, Corinne Chapelle, Antonio Vivaldi | B Minor | 3 | 10A | 123 BPM | ||
Concerto for Strings in G Minor, RV 156: I. Allegro | Antonio Vivaldi, Accademia I Filarmonici, Alberto Martini | B♭ Major | 5 | 6B | 124 BPM | ||
Violin Concerto No.1 in G minor, Op.26: 1. Vorspiel (Allegro moderato) | Max Bruch, Julia Fischer, Tonhalle Orchester Zürich, David Zinman | E♭ Major | 1 | 5B | 170 BPM | ||
Waldszenen, Op. 82: No. 1 Eintritt | Robert Schumann, Maria João Pires | B♭ Major | 0 | 6B | 126 BPM | ||
Mass No. 10 in C Major, Hob. XXII:9, "Missa in tempore belli", "Paukenmesse", "Kriegsmesse": Agnus Dei: Agnus Dei | Joseph Haydn, Ann Hoyt, Kirsten Sollek, Daniel Neer, Richard Lippold, Trinity Church Choir, New York, Rebel Baroque Orchestra, Owen Burdick | G Minor | 2 | 6A | 86 BPM |
Section: 0.6573457717895508
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