"Verklärte Nacht, Op. 4: II. Breiter" by Arnold Schoenberg, Isabelle Faust, Anne-Katharina Schreiber, Antoine Tamestit, Danusha Waskiewicz, Jean-Guihen Queyras, Christian Poltera was released on February 28, 2020. Verklärte Nacht, Op. 4: II. Breiter is about six minutes long, preciously at 5:59, making this song fairly long compared to other songs. There are a total of 8 in the song's album "Schoenberg: Violin Concerto - Verklärte Nacht". In this album, this song's track order is #5. The popularity of Verklärte Nacht, Op. 4: II. Breiter is currently not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Verklärte Nacht, Op. 4: II. Breiter by Arnold Schoenberg, Isabelle Faust, Anne-Katharina Schreiber, Antoine Tamestit, Danusha Waskiewicz, Jean-Guihen Queyras, Christian Poltera having a BPM of 176 with a half-time of 88 BPM and a double-time of 352 BPM, we would consider this track to have a Vivace (lively and fast) tempo marking. Because of this, we believe that the song has an overall fast tempo. The time signature for this track is 4/4.
F♯ Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 2B. So, the perfect camelot match for 2B would be either 2B or 3A. While, 3B can give you a low energy boost. For moderate energy boost, you would use 11B and a high energy boost can either be 4B or 9B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 2A or 1B will give you a low energy drop, 5B would be a moderate one, and 12B or 7B would be a high energy drop. Lastly, 11A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Verklärte Nacht, Op. 4: I. Sehr langsam | Arnold Schoenberg, Isabelle Faust, Anne-Katharina Schreiber, Antoine Tamestit, Danusha Waskiewicz, Jean-Guihen Queyras, Christian Poltera | D Minor | 1 | 7A | 82 BPM | ||
Gurrelieder / Pt. 1: Xa. Orchestral Interlude | Arnold Schoenberg, Wiener Philharmoniker, Claudio Abbado | E Major | 2 | 12B | 83 BPM | ||
Carmen Fantasy, Op. 25: III. Allegro moderato | Pablo de Sarasate, Hilary Hahn, Frankfurt Radio Symphony Orchestra, Andrés Orozco-Estrada | G Minor | 3 | 6A | 139 BPM | ||
Pavane pour une infante défunte | Maurice Ravel, Alexandre Tharaud | E Minor | 0 | 9A | 63 BPM | ||
In the Steppes of Central Asia | Alexander Borodin, Royal Philharmonic Orchestra, Vladimir Ashkenazy | A Major | 0 | 11B | 69 BPM | ||
Ave verum corpus, K. 618 (Transcr. Liszt for Solo Piano) | Wolfgang Amadeus Mozart, Víkingur Ólafsson | B Major | 0 | 1B | 115 BPM | ||
Borodin - String Quartet No.2 in D major: I. Allegro moderato | Alexander Borodin, Borodin Quartet | D Major | 1 | 10B | 164 BPM | ||
Montero: Adagio (After Bach's Violin Concerto No. 2, BWV 1042) | Johann Sebastian Bach, Gabriela Montero | F♯ Minor | 0 | 11A | 73 BPM | ||
Pelléas et Mélisande, Op. 80: 4. Sicilienne | Gabriel Fauré, Boston Symphony Orchestra, Seiji Ozawa | F Major | 2 | 7B | 98 BPM | ||
6 Encores for Piano (1965): No. 3, Wasserklavier | Luciano Berio, Marino Formenti | D♭ Major | 0 | 3B | 75 BPM |
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