Johann Sebastian Bach, Atlanta Symphony Orchestra, Robert Shaw, David Gordon's 'Magnificat in D Major, BWV 243: VIII. Deposuit potentes' came out on April 1, 1989. The duration of Magnificat in D Major, BWV 243: VIII. Deposuit potentes is about two minutes long, specifically at 2:04. This song does not appear to have any foul language. Magnificat in D Major, BWV 243: VIII. Deposuit potentes's duration is considered a little bit shorter than the average duration of a typical track. This song is part of Vivaldi: Gloria in D Major, RV 589 - Bach: Magnificat in D Major, BWV 243 by Robert Shaw, Atlanta Symphony Orchestra, Atlanta Symphony Orchestra Chamber Chorus. The song's track number on the album is #20 out of 24 tracks. Based on our data, United States was the country where this track was produced or recorded. Magnificat in D Major, BWV 243: VIII. Deposuit potentes is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Since Magnificat in D Major, BWV 243: VIII. Deposuit potentes by Johann Sebastian Bach, Atlanta Symphony Orchestra, Robert Shaw, David Gordon has a tempo of 88 beats per a minute, the tempo markings of this song would be Andante (at a walking pace). With Magnificat in D Major, BWV 243: VIII. Deposuit potentes being at 88 BPM, the half-time would be 44 BPM with a double-time of 176 BPM.In addition, we consider the tempo speed to be pretty slow for this song. This makes this song perfect for activities such as, yoga or pilates. The time signature for this track is 3/4.
This song is in the music key of D Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Concerto For 4 Violins in B Minor, Op. 3, No. 10, RV 580 : II. Alla Siciliana | Cologne Chamber Orchestra, Renee Ohldin, Corinne Chapelle, Lucas Barr, Christine Pichlmeier, Antonio Vivaldi | F♯ Minor | 1 | 11A | 129 BPM | ||
Concerto Grosso In D Major, Op. 6, No. 1 : I. Largo | Arcangelo Corelli, Ludovit Kanta, Quido Holbling, Anna Holbling, Daniela Ruso, Capella Istropolitana | A Major | 1 | 11B | 81 BPM | ||
The Well-Tempered Clavier, Book 1, BWV 846-869: Prelude No. 1 in C major, BWV 846 | Luc Beauséjour | B Major | 3 | 1B | 78 BPM | ||
Myrthen, Op. 25 - Version for Cello and Piano: XXIV. Du bist wie eine Blume | Robert Schumann, Kian Soltani, Aaron Pilsan | F Major | 0 | 7B | 116 BPM | ||
Songs Without Words, Book VI Opus 67: No. 2 in F-Sharp Minor | Felix Mendelssohn, Bertrand Chamayou | F♯ Minor | 1 | 11A | 69 BPM | ||
Sonata in D Minor, K. 32 | Domenico Scarlatti, Lucas Debargue | D Minor | 0 | 7A | 130 BPM | ||
Kinderszenen, Op.15: 13. Der Dichter spricht | Robert Schumann, Martha Argerich | G Major | 0 | 9B | 169 BPM | ||
6 Chants polonais, S. 480: No. 2, Frühling (Wiosna, Spring) [After Chopin's Op. 74] | Franz Liszt, Joseph Banowetz | G Minor | 0 | 6A | 96 BPM | ||
Tambourin | Jean-Philippe Rameau, Víkingur Ólafsson | E Minor | 3 | 9A | 148 BPM | ||
Concerto in C Minor, BWV 1060: II. Adagio | Johann Sebastian Bach, Alexei Ogrintchouk, Concertgebouw Chamber Orchestra, Vesko Eschkenazy, Tjeerd Top, Alexei Ogrintchouck | C Minor | 1 | 5A | 81 BPM |
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