Suite for Cello and Orchestra (after C. Debussy): I. Prelude (Intermezzo) - Sally Beamish, Steven Isserlis, Tapiola Sinfonietta, Gábor Takács-Nagy Information

Acousticness: 98%
Danceability: 21%
Energy: 3%
Instrumentalness: 75%
Liveness: 6%
Loudness: 51%
Speechiness: 4%
Valence: 9%
Popularity: 4%
Loudness: -29.305 dB

Summary

"Suite for Cello and Orchestra (after C. Debussy): I. Prelude (Intermezzo)" by Sally Beamish, Steven Isserlis, Tapiola Sinfonietta, Gábor Takács-Nagy was released on August 24, 2010. With this song being about 5 minutes long, at 5:06, "Suite for Cello and Orchestra (after C. Debussy): I. Prelude (Intermezzo)" by Sally Beamish, Steven Isserlis, Tapiola Sinfonietta, Gábor Takács-Nagy is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. There are a total of 13 in the song's album "reVisions". In this album, this song's track order is #1. In terms of popularity, Suite for Cello and Orchestra (after C. Debussy): I. Prelude (Intermezzo) is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.

Suite for Cello and Orchestra (after C. Debussy): I. Prelude (Intermezzo) BPM

With Suite for Cello and Orchestra (after C. Debussy): I. Prelude (Intermezzo) by Sally Beamish, Steven Isserlis, Tapiola Sinfonietta, Gábor Takács-Nagy having a BPM of 98 with a half-time of 49 BPM and a double-time of 196 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 3/4.

Suite for Cello and Orchestra (after C. Debussy): I. Prelude (Intermezzo) Key

This song has a musical key of D♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 3B. So, the perfect camelot match for 3B would be either 3B or 4A. While, 4B can give you a low energy boost. For moderate energy boost, you would use 12B and a high energy boost can either be 5B or 10B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 3A or 2B will give you a low energy drop, 6B would be a moderate one, and 1B or 8B would be a high energy drop. Lastly, 12A allows you to change the mood.

Recommendations

Track	Artist	Key	Energy	Camelot	BPM
3 Chansons de Charles d'Orleans: Trois Chansons de Charles d'Orleans: Dieu! Qu'il la fait bon regarder!	Claude Debussy, Stephen Ralls, Tafelmusik Chamber Choir	A♭ Minor	0	1A	76 BPM
La Mer (Arr. for Piano Trio): No. 3. Dialogue du vent et de la mer	Sally Beamish, Claude Debussy, Trio Apaches	B Major	2	1B	121 BPM
Sicut lilium inter spinas	Eleonora d'Este, Lyyra	F Major	1	7B	82 BPM
A Hymn to the Virgin	Benjamin Britten, Phoenix Chorale, Charles Bruffy, Kira Rugen, Amy Perciballi, Robert Comeaux, David Topping	E Major	0	12B	81 BPM
Anton Bruckner: Ave Maria	Anton Bruckner, Schola Cantorum, Tone Bianca Sparre Dahl	F Major	1	7B	74 BPM
Phantasy Quintet: III. Alla Sarabanda	Ralph Vaughan Williams, Medici String Quartet, Simon Rowland-Jones	F Minor	0	4A	83 BPM
Vexilla regis, WAB 51	Anton Bruckner, Latvian Radio Choir, Sigvards Kļava	F Major	0	7B	130 BPM
Messa di Gloria: VI. Domine Deus	Giacomo Puccini, Gustavo Gimeno, Orchestre Philharmonique Du Luxembourg, Orfeó Català, Pablo Larraz	F Major	0	7B	83 BPM
Whilst Great Is Our Poverty	Cyrillus Kreek, Traditional, Anna-Liisa Eller, Angela Ambrosini, Marco Ambrosini, Vox Clamantis, Jaan-Eik Tulve	D♭ Major	1	3B	76 BPM
6 Chansons: No. 1. La biche	Paul Hindemith, SWR Vokalensemble Stuttgart, Marcus Creed	D♭ Minor	1	12A	102 BPM

ISRC: This song does not have an ISRC.
Label: L-M Records/RCA Records

Section: 0.5233826637268066

End: 0.527259349822998