Gary Wilson made "You Were To Good To Be True" available on 1977. With You Were To Good To Be True being less than two minutes long, at 1:58, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. This song is part of You Think You Really Know Me by Gary Wilson. The song's track number on the album is #7 out of 12 tracks. Based on our data, United States was the country where this track was produced or recorded. In terms of popularity, You Were To Good To Be True is currently below average in popularity. Even with the track produces more of a neutral energy, it is pretty danceable compared to others.
Since You Were To Good To Be True by Gary Wilson has a tempo of 112 beats per a minute, the tempo markings of this song would be Moderato (at a moderate speed). With You Were To Good To Be True being at 112 BPM, the half-time would be 56 BPM with a double-time of 224 BPM.In addition, we consider the tempo speed to be pretty moderate for this song. The time signature for this track is 5/4.
This song is in the music key of B♭ Minor. Which also means that the camelot key for this song is 3A. So, the perfect camelot match for 3A would be either 3A or 2B. While, a low energy boost can consist of either 3B or 4A. For moderate energy boost, you would use 12A and a high energy boost can either be 5A or 10A. However, if you are looking for a low energy drop, finding a song with a camelot key of 2A would be a great choice. Where 6A would give you a moderate drop, and 1A or 8A would be a high energy drop. Lastly, 6B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Song for the Last Act | Jack Wilkins | D Major | 3 | 10B | 100 BPM | ||
Minlbelesh | Hailu Mergia, Dahlak Band | E♭ Major | 7 | 5B | 101 BPM | ||
MALIBU | Masayoshi Takanaka | A Major | 3 | 11B | 147 BPM | ||
Aquarius | Cal Tjader | E Minor | 1 | 9A | 110 BPM | ||
ディスコって | オノシュンスケ | G Major | 4 | 9B | 160 BPM | ||
Taking Flight | Resavoir, Brandee Younger | B♭ Major | 3 | 6B | 91 BPM | ||
Time | Hiroshi Sato | C Major | 6 | 8B | 155 BPM | ||
Eye's Drift | Archy Marshall | E Major | 8 | 12B | 164 BPM | ||
Mon Amour | Alan Hawkshaw, Brian Bennett | C Major | 4 | 8B | 97 BPM | ||
Conduct | The Durutti Column | B Minor | 4 | 10A | 115 BPM |
Section: 0.5241906642913818
End: 0.5270814895629883