Eastman Wind Ensemble made "English Folk Song Suite: I. March - Seventeen come Sunday" available on April 5, 2010. The duration of English Folk Song Suite: I. March - Seventeen come Sunday is about 3 minutes long, at 3:12. Based on our data, "English Folk Song Suite: I. March - Seventeen come Sunday" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The song is number 9 out of 19 in English Wind Band Classics by Eastman Wind Ensemble. Based on our statistics, English Folk Song Suite: I. March - Seventeen come Sunday's popularity is not that popular right now. The overall mood can be danceable to some, especially with it's high amount of postive energy.
The tempo marking of English Folk Song Suite: I. March - Seventeen come Sunday by Eastman Wind Ensemble is Allegro (fast, quick, and bright), since this song has a tempo of 126 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 4/4.
A♭ Major is the music key of this track. This also means that this song has a camelot key of 4B. So, the perfect camelot match for 4B would be either 4B or 5A. While, 5B can give you a low energy boost. For moderate energy boost, you would use 1B and a high energy boost can either be 6B or 11B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 4A or 3B will give you a low energy drop, 7B would be a moderate one, and 2B or 9B would be a high energy drop. Lastly, 1A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Azur | Francois Fortin | B♭ Minor | 0 | 3A | 101 BPM | ||
Simple Gifts: Four Shaker Songs: No. 4. Simple Gifts | Frank Ticheli, Michigan State University Wind Symphony, John Whitwell | B♭ Major | 0 | 6B | 81 BPM | ||
Gloriosa: III. Dies Festus | Yasuhide Ito, Jerry Bierschenk, North Texas Wind Symphony, Dennis Fisher | F Major | 2 | 7B | 78 BPM | ||
On Dangerous Ground | Bernhard Herrmann, Vienna Horns | F Major | 4 | 7B | 144 BPM | ||
Neon Genesis | AKIRA HONDA | D♭ Major | 2 | 3B | 113 BPM | ||
Tuba Suite: I. Allegro maestoso | Don Haddad, David Zerkel, Paolo Andre Gualdi | D Major | 1 | 10B | 144 BPM | ||
Andrés Contrabandista | Oscar Navarro, N/A, Royal Symphonic Band of the Belgian Guides, Yves Segers | B♭ Major | 4 | 6B | 102 BPM | ||
Suite française : I. Normandie | Gérard Besse, Denis Fourio, Big Band des équipages de la flotte de Toulon | B♭ Major | 3 | 6B | 128 BPM | ||
The Fire Of Eternal Glory | Dmitri Shostakovich, Gardemusikken | B♭ Major | 2 | 6B | 112 BPM | ||
Symphony No.4, Op.165: 1. Andante | Alan Hovhaness, Eastman Wind Ensemble, A Clyde Roller | E♭ Major | 0 | 5B | 136 BPM |
Section: 0.6579976081848145
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