Rinaldo: Act I, scene 5: Armida : "Furie terribili" - George Frideric Handel, Inga Kalna, René Jacobs, Freiburger Barockorchester Information

Acousticness: 15%
Danceability: 57%
Energy: 39%
Instrumentalness: 0%
Liveness: 24%
Loudness: 77%
Speechiness: 3%
Valence: 22%
Popularity: 10%
Loudness: -14.056 dB

Summary

George Frideric Handel, Inga Kalna, René Jacobs, Freiburger Barockorchester's 'Rinaldo: Act I, scene 5: Armida : "Furie terribili"' came out on March 24, 2003. The duration of Rinaldo: Act I, scene 5: Armida : "Furie terribili" is about two minutes long, specifically at 2:23. This song does not appear to have any foul language. Rinaldo: Act I, scene 5: Armida : "Furie terribili"'s duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in George Frideric Handel, Freiburger Barockorchester, René Jacobs, Vivica Genaux's "Handel. Rinaldo" album is number 11 out of 60. On top of that, France appears to be the country where this track was created. Rinaldo: Act I, scene 5: Armida : "Furie terribili" is not that popular right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.

Rinaldo: Act I, scene 5: Armida : "Furie terribili" BPM

We consider the tempo marking of Rinaldo: Act I, scene 5: Armida : "Furie terribili" by George Frideric Handel, Inga Kalna, René Jacobs, Freiburger Barockorchester to be Andante (at a walking pace) because the track has a tempo of 81 BPM, a half-time of 40BPM, and a double-time of 162 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.

Rinaldo: Act I, scene 5: Armida : "Furie terribili" Key

This song is in the music key of D♭ Minor. This also means that this song has a camelot key of 12A. So, the perfect camelot match for 12A would be either 12A or 11B. While, a low energy boost can consist of either 12B or 1A. For moderate energy boost, you would use 9A and a high energy boost can either be 2A or 7A. However, if you are looking for a low energy drop, finding a song with a camelot key of 11A would be a great choice. Where 3A would give you a moderate drop, and 10A or 5A would be a high energy drop. Lastly, 3B allows you to change the mood.

Recommendations

Track	Artist	Key	Energy	Camelot	BPM
The Well-Tempered Clavier, Book 1, BWV 846-869: Prelude No. 1 in C major, BWV 846	Luc Beauséjour	B Major	3	1B	78 BPM
Oboe Concerto in C Major, Op. 9, No. 5: I. Allegro	Tomaso Albinoni, Anthony Camden, London Virtuosi, John Georgiadis	C Major	3	8B	108 BPM
Pelléas et Mélisande, Op.80: 3. Sicilienne	Gabriel Fauré, Academy of St. Martin in the Fields, Sir Neville Marriner	G Minor	0	6A	111 BPM
Violin Concerto No. 1 in G Minor, Op. 26: III. Allegro energico	Max Bruch, Itzhak Perlman, Bernard Haitink, Concertgebouworkest	G Major	3	9B	97 BPM
Suite No. 3, P. 172: I. Italiana: Andantino	Ottorino Respighi, RTÉ National Symphony Orchestra	B♭ Major	1	6B	94 BPM
Chiome d'oro, SV 143	Claudio Monteverdi, Sonia Wieder-Atherton	C Major	1	8B	119 BPM
Symphony in C Major, Op. 1, No. 6, (Callen 6): I. Allegro	Franz Ignaz Beck, New Zealand Chamber Orchestra, Donald Armstrong	G Major	2	9B	143 BPM
16 Waltzes, Op. 39 (Version for Piano Duet): No. 15 in A-Flat Major	Johannes Brahms, Tal & Groethuysen	A Major	0	11B	126 BPM
Trio In G Minor, BWV 929	Janos Sebestyen, Johann Sebastian Bach	G Minor	2	6A	126 BPM
Ode for St. Cecilia's Day, HWV 76: Air: What passion cannot Music raise	George Frideric Handel, Dorothee Mields, Mark Wilde, Alsfelder Vocal Ensemble, Concerto Polacco, Wolfgang Helbich	A♭ Minor	0	1A	96 BPM

ISRC: FRZ140220110
Label: L-M Records/RCA Records

Section: 0.6393327713012695

End: 0.6447429656982422