Margot Kazimirska's 'Battement Fondu, Tango 4/4: None but the Lonely Heart, Op. 6' came out on December 2, 2013. With Battement Fondu, Tango 4/4: None but the Lonely Heart, Op. 6 being less than two minutes long, at 1:28, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The track order of this song in Margot Kazimirska's "Music for Ballet Class: Dance With Margot, Vol. 8" album is number 11 out of 47. In terms of popularity, Battement Fondu, Tango 4/4: None but the Lonely Heart, Op. 6 is currently not that popular. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
We consider the tempo marking of Battement Fondu, Tango 4/4: None but the Lonely Heart, Op. 6 by Margot Kazimirska to be Andante (at a walking pace) because the track has a tempo of 103 BPM, a half-time of 52BPM, and a double-time of 206 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
This song is in the music key of D Major. This also means that this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Quicker Chainés 2/4: Attila, Act II - Finale "Oh Miei" | Margot Kazimirska | F Major | 3 | 7B | 129 BPM | ||
Pliés in B-Flat Major, Waldszenen, Op.82, Abschied | Robert Schumann, Konstantin Mortensen | B♭ Major | 1 | 6B | 81 BPM | ||
Battement Tendu, Degage. Moderate 2/4, 32 Measures, 8-8's | Finis Jhung & Bill Brown | B♭ Major | 1 | 6B | 163 BPM | ||
Moyenne allegro in A-flat Major, ballet "La Péri", Act 1, pas de six | Paul Dukas, Konstantin Mortensen | E♭ Major | 3 | 5B | 109 BPM | ||
Rond de Jambe | Ayumi HIRUSAKI | G Major | 2 | 9B | 129 BPM | ||
Adagio at the Barre (from La Bayadère) | Douglas Schultz, Ludwig Minkus | A Major | 1 | 11B | 140 BPM | ||
Floor Work 3/4 | Richard Maddock | A Major | 2 | 11B | 86 BPM | ||
Waltz | Whitefeather Productions | B♭ Major | 1 | 6B | 154 BPM | ||
Pirouettes. Moderate 2/4, 32 Measures, 8-8's | Finis Jhung & Bill Brown | F Minor | 2 | 4A | 97 BPM | ||
Port De Bras | BalletClassMusic | E♭ Major | 0 | 5B | 94 BPM |
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