On 1938, the song "After You've Gone - Instrumental" was released by Benny Goodman. The duration of After You've Gone - Instrumental is about two minutes long, specifically at 2:30. This song does not appear to have any foul language. After You've Gone - Instrumental's duration is considered a little bit shorter than the average duration of a typical track. There is only one song in 16 Most Requested Songs, so we believe that "After You've Gone - Instrumental" is a single. In terms of popularity, After You've Gone - Instrumental is currently not that popular. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
The tempo marking of After You've Gone - Instrumental by Benny Goodman is Moderato (at a moderate speed), since this song has a tempo of 116 BPM. With that information, we can conclude that the song has a moderate tempo. This song can go great with walking. The time signature for this track is 4/4.
F Major is the music key of this track. This also means that this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Old Devil Moon - Moderate Society | Lester Lanin | B♭ Major | 2 | 6B | 147 BPM | ||
The Birth Of The Blues | Paul Whiteman, Ray Henderson, Lew Brown | F Major | 2 | 7B | 93 BPM | ||
There'll Be Some Changes Made | Benny Goodman & his Orchestra; vocal by Louise Tobin | E Minor | 2 | 9A | 119 BPM | ||
Flying Home | Charlie Barnet & His Orchestra | F Major | 7 | 7B | 92 BPM | ||
Goodnight Sweet Dreams | Isham Jones & His Orchestra | B♭ Major | 6 | 6B | 111 BPM | ||
Blue Champagne | Charlie Spivak & His Orchestra | F♯ Major | 1 | 2B | 99 BPM | ||
Rosalie | Harry Arnold and His Swedish Radio Studio Orchestra | F♯ Major | 4 | 2B | 123 BPM | ||
Up jumped the devil | Earl Hines | D♭ Major | 5 | 3B | 91 BPM | ||
True Confession | Larry Clinton | B♭ Minor | 1 | 3A | 89 BPM | ||
Stockholm Stomp | Fletcher Henderson | C Major | 5 | 8B | 125 BPM |
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