- BPM
- 93
- Key
- G Minor
- Camelot
- 6A
Of Thee I Sing: Of Thee I Sing Overture - George Gershwin, Michael Tilson Thomas, Orchestra of St. Luke's Information
- Acousticness
- 90%
- Danceability
- 34%
- Energy
- 34%
- Instrumentalness
- 89%
- Liveness
- 35%
- Loudness
- 72%
- Speechiness
- 6%
- Valence
- 37%
- Popularity
- 1%
- Loudness
- -16.92 dB
Summary
George Gershwin, Michael Tilson Thomas, Orchestra of St. Luke's's 'Of Thee I Sing: Of Thee I Sing Overture' came out on 1976. With this song being about 5 minutes long, at 4:30, "Of Thee I Sing: Of Thee I Sing Overture" by George Gershwin, Michael Tilson Thomas, Orchestra of St. Luke's is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The track order of this song in George Gershwin, Michael Tilson Thomas's "Michael Tilson Thomas Conducts Gershwin" album is number 1 out of 90. In terms of popularity, Of Thee I Sing: Of Thee I Sing Overture is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Of Thee I Sing: Of Thee I Sing Overture BPM
We consider the tempo marking of Of Thee I Sing: Of Thee I Sing Overture by George Gershwin, Michael Tilson Thomas, Orchestra of St. Luke's to be Andante (at a walking pace) because the track has a tempo of 93 BPM, a half-time of 46BPM, and a double-time of 186 BPM. Based on that, the speed of the song's tempo is slow. Activities such as, yoga or pilates, can go well with this song. The time signature for this track is 4/4.
Of Thee I Sing: Of Thee I Sing Overture Key
This song is in the music key of G Minor. Because this track belongs in the G Minor key, the camelot key is 6A. So, the perfect camelot match for 6A would be either 6A or 5B. While, a low energy boost can consist of either 6B or 7A. For moderate energy boost, you would use 3A and a high energy boost can either be 8A or 1A. However, if you are looking for a low energy drop, finding a song with a camelot key of 5A would be a great choice. Where 9A would give you a moderate drop, and 4A or 11A would be a high energy drop. Lastly, 9B allows you to change the mood.
Recommendations
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
 | Peter and the Wolf, Op. 67 (Without Narration): The Bird | Sergei Prokofiev, Slovak Radio Symphony Orchestra, Ondrej Lenard | C Major | 0 | 8B | 99 BPM | |
 | Etude in D-Sharp Minor, Op. 8, No. 12: Patetico - Remastered | Alexander Scriabin, Vladimir Horowitz | D♭ Minor | 3 | 12A | 72 BPM | |
 | Symphony No. 1, "Afro-American": II. Sorrow (Adagio) | William Grant Still, Fort Smith Symphony, John Jeter | F Major | 0 | 7B | 55 BPM | |
 | Elegie in E-Flat Minor, Op. 3, No. 1 | Sergei Rachmaninoff | E♭ Minor | 1 | 2A | 68 BPM | |
 | Czardas (arr. for saxophone and piano) | Anonymous, Vittorio Monti, Joël Versavaud, Laura Caravello | D Major | 1 | 10B | 144 BPM | |
 | Someone To Watch Over Me | George Gershwin, Zubin Mehta, New York Philharmonic | A Major | 1 | 11B | 171 BPM | |
 | Clarinet Quintet in A Major: Clarinet Quintet in A Major: I. Allegro | Wolfgang Amadeus Mozart, Arcanto Quartett, Jörg Widmann | A Major | 1 | 11B | 116 BPM | |
 | Melody in F Major, Op. 3, No. 1 | Anton Rubinstein, Philippe Entremont | F Major | 0 | 7B | 74 BPM | |
 | Morceaux de fantaisie, Op. 3: 5 Morceaux de fantasie, Op. 3: No. 2. Prelude in C-Sharp Minor | Sergei Rachmaninoff, Eldar Nebolsin | A Major | 1 | 11B | 91 BPM | |
 | Sentimentale, Pt. 2 | Claude Bolling, Jean-Pierre Rampal, Max Hédiguer, Marcel Sabiani | F Minor | 3 | 4A | 85 BPM |
- ISRC
- This song does not have an ISRC.
- Label
- L-M Records/RCA Records
Section: 1.629460334777832
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