Compañía Rafael Amargo, Edith Salazar's ' "Oda a Walt Withman" was released on its scheduled release date, April 5, 2002. The duration of This song is about two minutes long, specifically at 2:50. This song does not appear to have any foul language. Oda a Walt Withman's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 13 in the song's album "Poeta en Nueva York (Original Score)". In this album, this song's track order is #8. Furthermore, we believe that the track originated from Spain. Based on our statistics, Oda a Walt Withman's popularity is unknown right now. The overall mood can be danceable to some, especially with it's high amount of postive energy.
With Oda a Walt Withman by Compañía Rafael Amargo, Edith Salazar having a BPM of 135 with a half-time of 68 BPM and a double-time of 270 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 4/4.
E Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 12B. So, the perfect camelot match for 12B would be either 12B or 1A. While, 1B can give you a low energy boost. For moderate energy boost, you would use 9B and a high energy boost can either be 2B or 7B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 12A or 11B will give you a low energy drop, 3B would be a moderate one, and 10B or 5B would be a high energy drop. Lastly, 9A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Al Infierno Que Te Vayas | Antonio Fernandez, Pedro de Dios | G Minor | 2 | 6A | 72 BPM | ||
Carnaval De Manha | Hale Kelvin | D♭ Minor | 7 | 12A | 160 BPM | ||
Algún Día (Solea por Buleria) | Rafael Cortés | B♭ Minor | 5 | 3A | 93 BPM | ||
Vámonos, que vámonos | Son Flamenco | B♭ Major | 8 | 6B | 108 BPM | ||
Bulerías: Cante, Baile y Guitarra | El Trini, Victor M. Rosa, Remedios Reyes | E♭ Major | 5 | 5B | 118 BPM | ||
Oro Blanco (Fandango de Huelva) | Juan de Pilar | G Minor | 8 | 6A | 104 BPM | ||
Bambera: Tercer Bloque | El Trini, Victor M. Rosa, Mariló García, Lurdes García | C Major | 9 | 8B | 125 BPM | ||
Soleá | Juanjo de Nayeli, Abraham jiménez, Juan Cortés “El Pillo”, Tin Cortés, Diego Amaya, Jerónimo Maya | C Minor | 3 | 5A | 87 BPM | ||
Bulerías a Mi Manuela | Manuel Parrilla | A Major | 5 | 11B | 110 BPM | ||
El Amor de los Amantes | Luis de Perikin | D Minor | 3 | 7A | 129 BPM |