Carl Millöcker, Nürnberger Philharmoniker, Christian Simonis's 'Overture in E-Flat Major' had a release date set for November 3, 2017. With this song being about 5 minutes long, at This song is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The track order of this song in Carl Millöcker, Nürnberger Philharmoniker, Christian Simonis's "Millöcker: Walzes, Marches & Polkas" album is number 1 out of 13. Based on our statistics, Overture in E-Flat Major's popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Overture in E-Flat Major by Carl Millöcker, Nürnberger Philharmoniker, Christian Simonis to be Allegro (fast, quick, and bright) because the track has a tempo of 124 BPM, a half-time of 62BPM, and a double-time of 248 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 4/4.
G Major is the music key of this track. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Lohengrin: Treulich geführt | Chor der Deutschen Oper Berlin, Orchester der Deutschen Oper Berlin, Rafael Frühbeck de Burgos | B♭ Major | 2 | 6B | 92 BPM | ||
Gräfin Mariza, IEK 4: Komm mit nach Varasdin | Emmerich Kálmán, Donau Philharmonie Wien, Gabrielle Heidelberger, Armin Kolarczyk | F Major | 3 | 7B | 85 BPM | ||
Hungarian Dance No. 19 in B minor - Orchestrated by A. Dvorák (1841-1904) | Johannes Brahms, London Symphony Orchestra, Antal Doráti | B Minor | 2 | 10A | 134 BPM | ||
Akt I: Titurel, der fromme Held | Richard Wagner, Georg Zeppenfeld, Philippe Jordan | A♭ Major | 1 | 4B | 76 BPM | ||
Orphée aux enfers, ACT 1, Deuxième tableau: l'Olympe: Eh hop! Eh hop! (Jupiter/Mercure/Junon) | Jacques Offenbach, Laurent Naouri/Etienne Lescroart/Orchestre de l'Opéra National de Lyon/Orchestre de Chambre de Grenoble/Marc Minkowski, Marc Minkowski, Sébastien Rouland, Choeur & Orchestre De L'Opéra National De Lyon, Orchestre de Chambre de Grenoble, Orchestre De L'Opéra National De Lyon | D Minor | 2 | 7A | 72 BPM | ||
Casse-Noisette suite, Op. 71a ; TH 35: II. Danse russe "Trépak" | Pyotr Ilyich Tchaikovsky, Royal Concertgebouw Orchestra, Eduard van Beinum | B Minor | 5 | 10A | 94 BPM | ||
Der Bettelstudent (Abridged Operetta): Act I: Und da soll man noch galant sein | Carl Millöcker, Mirko Roschkowski, Erwin Belakowitsch, Linda Plech, Cornelia Zink, Adriane Queiroz, Henryk Bohm, Olaf Plassa, Rupert Bergmann, Alexander Voigt, Daniel Strasser, Steven Scheschareg, Franziska Stanner, Rui dos Santos, Michael Zehe, Yuri Dmytruk, Alexander Joel, Dirk Lohr, Bernd Ander, Mörbisch Festival Choir, Morbisch Festival Orchestra, Uwe Theimer | E♭ Major | 4 | 5B | 103 BPM | ||
Yes!, Act I: Ouverture | Maurice Yvain, Les Frivolités Parisiennes | F Major | 1 | 7B | 83 BPM | ||
Dein ist Mein Ganzes Herz | Richard Tauber | D♭ Major | 4 | 3B | 134 BPM | ||
Viktoria und ihr Husar: Reich' mir zum Abschied noch einmal die Hände | Paul Abraham, Sandor Konya, Herta Talmar, Grosses Operetten Orchester, Franz Marszalek | B♭ Major | 3 | 6B | 110 BPM |