Leo Slezak made "Der Jüngling An Der Quelle (Leise Rieselnder Quell) (D 300)" available on May 5, 2010. With Der Jüngling An Der Quelle (Leise Rieselnder Quell) (D 300) being less than two minutes long, at 1:18, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The track order of this song in Leo Slezak's "Musikalische Erinnerungen Zum 50.Todestag" album is number 12 out of 22. Der Jüngling An Der Quelle (Leise Rieselnder Quell) (D 300) is unknown right now. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
We consider the tempo marking of Der Jüngling An Der Quelle (Leise Rieselnder Quell) (D 300) by Leo Slezak to be Andante (at a walking pace) because the track has a tempo of 77 BPM, a half-time of 38BPM, and a double-time of 154 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 5/4.
This song is in the music key of A Major. This also means that this song has a camelot key of 11B. So, the perfect camelot match for 11B would be either 11B or 12A. While, 12B can give you a low energy boost. For moderate energy boost, you would use 8B and a high energy boost can either be 1B or 6B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 11A or 10B will give you a low energy drop, 2B would be a moderate one, and 9B or 4B would be a high energy drop. Lastly, 8A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Sei Canzoni di Metastasio: VI. Se non piange un infelice | Louise Reichardt, Pietro Metastasio, Amy Pfrimmer, Dreux Montegut | G Major | 4 | 9B | 74 BPM | ||
8 Gedichte aus 'Letzte Blätter', Op. 10, TrV 141: No. 8, Allerseelen (Arr. R. Heger for Soprano & Orchestra) | Richard Strauss, Hanna-Elisabeth Müller, WDR Sinfonieorchester Köln, Christoph Eschenbach | B♭ Major | 0 | 6B | 82 BPM | ||
Ave, Verum Corpus | Franco Corelli | A Major | 1 | 11B | 66 BPM | ||
La dame blanche, Act II: Komm, o holde Dame (Sung in German) | François-Adrien Boieldieu, Leo Slezak | E Major | 1 | 12B | 172 BPM | ||
Guillaume Tell: Ah! Mathilde (Recorded 1903) | Gioachino Rossini, Leo Slezak | F Major | 2 | 7B | 131 BPM | ||
Die Entführung aus dem Serail, K. 384, Act II: Wenn der Freude Tränen fließen - Remastered 2024 | Wolfgang Amadeus Mozart, Walther Ludwig, Wiener Philharmoniker, Josef Krips | B♭ Major | 1 | 6B | 96 BPM | ||
Die Entführung aus dem Serail, K. 384, Act II: Traurigkeit ward mir zum Lose - Remastered 2024 | Wolfgang Amadeus Mozart, Wilma Lipp, Heinz Woester, Wiener Philharmoniker, Josef Krips | B♭ Major | 1 | 6B | 96 BPM | ||
Myrthen, Op. 25: No. 1, Widmung | Charlotte Hoather | A♭ Major | 2 | 4B | 83 BPM | ||
Hoffmanns Erzählungen (Les Contes d'Hoffmann): "Aus dem Keller kommt hervor, Geister des Weines!" | Jacques Offenbach, Orchester der Deutschen Oper Berlin, Richard Kraus, RIAS Kammerchor, Günther Arndt | C Major | 3 | 8B | 120 BPM | ||
Offenbach: La vie parisienne, Act 4: Finale. "Par nos chansons et par nos cris, célébrons Paris" (Chœur, Gabrielle, Le Baron, La Baronne, Bobinet, Gardefeu, Le Brésilien, Urbain, Métella) | Jacques Offenbach, Michel Plasson, Christiane Château, Choeur Du Capitole De Toulouse, Jean Christophe Benoit, Luis Masson, Mady Mesple, Michel Jarry, Michel Sénéchal, Michel Trempont, Régine Crespin, Orchestre Du Capitole De Toulouse | G Major | 4 | 9B | 88 BPM |
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