Carl Maria von Weber, René Jacobs, Freiburger Barockorchester, Max Urlacher, Dimitry Ivashchenko, Zürcher Sing-Akademie, Maximilian Schmitt's 'Der Freischütz, Op. 77, Act 2 Scene 8: Ah! Zische, brause, koche auf (Samiel, Kaspar, Chor, Max)' came out on April 29, 2022. Der Freischütz, Op. 77, Act 2 Scene 8: Ah! Zische, brause, koche auf (Samiel, Kaspar, Chor, Max) is about six minutes long, preciously at 5:33, making this song fairly long compared to other songs. This song is part of Weber: Der Freischütz by Carl Maria von Weber, René Jacobs, Freiburger Barockorchester, Zürcher Sing-Akademie, Christian Immler, Polina Pastirchak, Kateryna Kasper, Maximilian Schmitt, Max Urlacher. The song's track number on the album is #5 out of 37 tracks. Based on our data, France was the country where this track was produced or recorded. The popularity of Der Freischütz, Op. 77, Act 2 Scene 8: Ah! Zische, brause, koche auf (Samiel, Kaspar, Chor, Max) is currently not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Since Der Freischütz, Op. 77, Act 2 Scene 8: Ah! Zische, brause, koche auf (Samiel, Kaspar, Chor, Max) by Carl Maria von Weber, René Jacobs, Freiburger Barockorchester, Max Urlacher, Dimitry Ivashchenko, Zürcher Sing-Akademie, Maximilian Schmitt has a tempo of 168 beats per a minute, the tempo markings of this song would be Vivace (lively and fast). With Der Freischütz, Op. 77, Act 2 Scene 8: Ah! Zische, brause, koche auf (Samiel, Kaspar, Chor, Max) being at 168 BPM, the half-time would be 84 BPM with a double-time of 336 BPM.In addition, we consider the tempo speed to be pretty fast for this song. The time signature for this track is 3/4.
C Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Elegie in E-Flat Minor, Op. 3, No. 1 | Sergei Rachmaninoff | E♭ Minor | 1 | 2A | 68 BPM | ||
3 Romances, Op. 11: 1. Andante | Clara Schumann, Isata Kanneh-Mason | E♭ Minor | 0 | 2A | 127 BPM | ||
Premier Nocturne, Op. 22 | Charles-Valentin Alkan, Michael Landrum | B Major | 0 | 1B | 135 BPM | ||
Humoresques, Op. 101, B. 187: VII. Poco lento e grazioso | Antonín Dvořák, Tiffany Poon | B♭ Major | 0 | 6B | 66 BPM | ||
Valse Mélancolique | Vladimir Rebikov, Christopher Ferreira | B Minor | 1 | 10A | 113 BPM | ||
Adagio in F, H.XVII No.9 | Franz Joseph Haydn, Alfred Brendel | F Major | 0 | 7B | 71 BPM | ||
3 Preludi Sopra Melodie Gregoriane, P. 131: I. Molto Lento | Ottorino Respighi, Konstantin Scherbakov | A♭ Minor | 0 | 1A | 70 BPM | ||
Capriccio brillant, Op. 22: Andante | Felix Mendelssohn, Matthias Kirschnereit, Michael Sanderling, Frankfurt Radio Symphony Orchestra | B Major | 0 | 1B | 91 BPM | ||
3 Romances sans paroles, Op. 17: No. 3 in A-Flat Major (Arr. P. Gouin for Cello & Piano) | Gabriel Fauré, Jesper Svedberg, Simon Crawford-Phillips | A Major | 0 | 11B | 79 BPM | ||
Carmen Variations | Vladimir Horowitz | E Major | 2 | 12B | 148 BPM |
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