On September 7, 2018, the song "Saltarello chiamato Rose Viole" was released by Pietro Paolo Borrono, Paolo Cherici. With Saltarello chiamato Rose Viole being less than two minutes long, at 1:41, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The track order of this song in Paolo Cherici's "Intabolatura de leuto de diversi autori Milano: Peschatore che va cantando" album is number 7 out of 27. On top of that, Italy appears to be the country where this track was created. In terms of popularity, Saltarello chiamato Rose Viole is currently not that popular. The overall mood can be danceable to some, especially with it's high amount of postive energy.
We consider the tempo marking of Saltarello chiamato Rose Viole by Pietro Paolo Borrono, Paolo Cherici to be Andante (at a walking pace) because the track has a tempo of 102 BPM, a half-time of 51BPM, and a double-time of 204 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
This song has a musical key of A Major. This also means that this song has a camelot key of 11B. So, the perfect camelot match for 11B would be either 11B or 12A. While, 12B can give you a low energy boost. For moderate energy boost, you would use 8B and a high energy boost can either be 1B or 6B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 11A or 10B will give you a low energy drop, 2B would be a moderate one, and 9B or 4B would be a high energy drop. Lastly, 8A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
A Galliard | Hopkinson Smith, John Dowland | C Minor | 1 | 5A | 129 BPM | ||
Cello Suite No. 1, BWV 1007 (Arr. A. Sariel for Archlute): V. Menuets I & II | Johann Sebastian Bach, Alon Sariel | A Minor | 4 | 8A | 81 BPM | ||
Suite in G Major: III. Courante | Robert de Visée, Yasunori Imamura | D♭ Major | 0 | 3B | 86 BPM | ||
Lute Sonata No. 9: II. Alemanda | Giovanni Zamboni, Luciano Còntini | D♭ Minor | 1 | 12A | 92 BPM | ||
La Gamba in Basso e Soprano | Vincenzo Ruffo, Into the Winds | F Minor | 3 | 4A | 132 BPM | ||
Sonata in C Minor: II. Allegro | Bernhard Joachim Hagen, Lutz Kirchhof | F♯ Major | 2 | 2B | 83 BPM | ||
Suite in E Minor: V. Gavotte | Robert de Visée, Yasunori Imamura | C Major | 1 | 8B | 59 BPM | ||
Suite No. 9 en ré mineur: Courante | Robert de Visée, Sandro Volta | D♭ Major | 0 | 3B | 74 BPM | ||
Tres diferencias de Guárdame las vacas por otra parte, Book VI | Luis de Narváez, Xavier Diaz-Latorre | C Minor | 1 | 5A | 73 BPM | ||
Pavana chiamata la Desperata | Pietro Paolo Borrono, Ronn McFarlane | F Major | 1 | 7B | 87 BPM |
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