- BPM
- 68
- Key
- F♯ Minor
- Camelot
- 11A
Quatre motets pour le temps de Noël, FP 152: II. Quem vidistis pastores dicite - Francis Poulenc, Choir of King's College, Cambridge, Stephen Cleobury Information
- Acousticness
- 99%
- Danceability
- 27%
- Energy
- 3%
- Instrumentalness
- 0%
- Liveness
- 34%
- Loudness
- 52%
- Speechiness
- 4%
- Valence
- 21%
- Popularity
- 19%
- Loudness
- -28.631 dB
Summary
Francis Poulenc, Choir of King's College, Cambridge, Stephen Cleobury's 'Quatre motets pour le temps de Noël, FP 152: II. Quem vidistis pastores dicite' had a release date set for June 1, 2015. The duration of This song is about two minutes long, specifically at 2:40. This song does not appear to have any foul language. Quatre motets pour le temps de Noël, FP 152: II. Quem vidistis pastores dicite's duration is considered a little bit shorter than the average duration of a typical track. The song is number 7 out of 13 in Evensong Live 2015 by Stephen Cleobury, Choir of King's College, Cambridge. Quatre motets pour le temps de Noël, FP 152: II. Quem vidistis pastores dicite is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Quatre motets pour le temps de Noël, FP 152: II. Quem vidistis pastores dicite BPM
The tempo marking of Quatre motets pour le temps de Noël, FP 152: II. Quem vidistis pastores dicite by Francis Poulenc, Choir of King's College, Cambridge, Stephen Cleobury is Adagio (slowly with great expression), since this song has a tempo of 68 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
Quatre motets pour le temps de Noël, FP 152: II. Quem vidistis pastores dicite Key
F♯ Minor is the music key of this track. This also means that this song has a camelot key of 11A. So, the perfect camelot match for 11A would be either 11A or 10B. While, a low energy boost can consist of either 11B or 12A. For moderate energy boost, you would use 8A and a high energy boost can either be 1A or 6A. However, if you are looking for a low energy drop, finding a song with a camelot key of 10A would be a great choice. Where 2A would give you a moderate drop, and 9A or 4A would be a high energy drop. Lastly, 2B allows you to change the mood.
Recommendations
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
 | 12 Romances, Op. 21: No. 7, How Fair This Spot (Arr. Sheku Kanneh-Mason for Cello and Piano) | Sergei Rachmaninoff, Sheku Kanneh-Mason, Isata Kanneh-Mason | A Major | 1 | 11B | 89 BPM | |
 | Minuet in A major, D. 334 | Franz Schubert, Arcadi Volodos | A Major | 0 | 11B | 92 BPM | |
 | Montparnasse, FP 127 No. 1 | Francis Poulenc, Felicity Lott, Pascal Rogé | D♭ Major | 1 | 3B | 66 BPM | |
 | Three Piano Preludes: II. No. 2 | Frederick Delius, Eric Parkin | F♯ Minor | 1 | 11A | 73 BPM | |
 | 12 Songs, Op. 21: V. Lilacs (Transcr. Rachmaninoff for Solo Piano) | Sergei Rachmaninoff, Sergei Babayan | A♭ Major | 0 | 4B | 78 BPM | |
 | Adagio in F, H.XVII No.9 | Franz Joseph Haydn, Alfred Brendel | F Major | 0 | 7B | 71 BPM | |
 | Le printemps, Op. 18 | Darius Milhaud, Frédéric Pélassy, Eliane Reyes | F♯ Minor | 2 | 11A | 103 BPM | |
 | Trio for Piano, Oboe & Bassoon, FP 43: III. Rondo | Francis Poulenc, Mark Bebbington, Jonathan Davies, John Roberts, Jan Latham-Koenig, Royal Philharmonic Orchestra | A Minor | 1 | 8A | 81 BPM | |
 | Sarabande | Francis Poulenc, Pierre Laniau | E Minor | 0 | 9A | 81 BPM | |
 | Ballade slave | Claude Debussy, Alain Planès | F Major | 0 | 7B | 64 BPM |
- ISRC
- This song does not have an ISRC.
- Label
- L-M Records/RCA Records