Robert de Visée, Jean-Baptiste Lully, Yasunori Imamura's 'La grotte de Versailles: Overture (arr. R. Visee)' came out on January 1, 1993. The duration of La grotte de Versailles: Overture (arr. R. Visee) is about 3 minutes long, at 3:12. Based on our data, "La grotte de Versailles: Overture (arr. R. Visee)" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. This song is part of Visee, R. De: Suites by Robert de Visée, Yasunori Imamura. The song's track number on the album is #7 out of 30 tracks. Based on our data, United States was the country where this track was produced or recorded. In terms of popularity, La grotte de Versailles: Overture (arr. R. Visee) is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Since La grotte de Versailles: Overture (arr. R. Visee) by Robert de Visée, Jean-Baptiste Lully, Yasunori Imamura has a tempo of 97 beats per a minute, the tempo markings of this song would be Andante (at a walking pace). With La grotte de Versailles: Overture (arr. R. Visee) being at 97 BPM, the half-time would be 48 BPM with a double-time of 194 BPM.In addition, we consider the tempo speed to be pretty slow for this song. The time signature for this track is 3/4.
This song has a musical key of D Minor. Which also means that the camelot key for this song is 7A. So, the perfect camelot match for 7A would be either 7A or 6B. While, a low energy boost can consist of either 7B or 8A. For moderate energy boost, you would use 4A and a high energy boost can either be 9A or 2A. However, if you are looking for a low energy drop, finding a song with a camelot key of 6A would be a great choice. Where 10A would give you a moderate drop, and 5A or 12A would be a high energy drop. Lastly, 10B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Pavin | Innocentio Alberti, Fretwork | F Major | 2 | 7B | 68 BPM | ||
Nuernberger Lautenbuch: Ballet Mercurij F-Dur | Christian Zimmermann | C Major | 1 | 8B | 94 BPM | ||
Corrente IX | Alessandro Piccinini, Bor Zuljan | B♭ Minor | 1 | 3A | 75 BPM | ||
Atys, LWV 53, Prologue: Ouverture | Jean-Baptiste Lully, Les Talens Lyriques, Christophe Rousset | F Minor | 2 | 4A | 111 BPM | ||
The Little Consort, Suite No. 10 in D Minor and D Major: III. Courante | Matthew Locke, Phantasm, Elizabeth Kenny | D♭ Major | 1 | 3B | 86 BPM | ||
A gigge | Mr Beck, Ronn McFarlane | B Major | 1 | 1B | 76 BPM | ||
The Lord of Salisbury his Pavin | Orlando Gibbons, Harmonia Recorder Ensemble | D Minor | 0 | 7A | 66 BPM | ||
Suite in G Minor: I. Tombeau de Mr Blanrocher | François Dufaut, Hopkinson Smith | A♭ Major | 2 | 4B | 51 BPM | ||
Suite in G Minor: Andamento malinconico | Nicola Matteis, Le Consort, Louise Ayrton | F♯ Minor | 1 | 11A | 81 BPM | ||
Trattado de glosas: Recercadas primera y quarta sobre tenores: II. | Diego Ortiz, Les Basses Réunies, Bruno Cocset | B Major | 1 | 1B | 97 BPM |
Section: 0.5647037029266357
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