The Reeves Brothers made "No. 7 Blues" available on August 28, 2020. With this song being around four minutes long, at 3:41, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. There are a total of 12 in the song's album "The Last Honky-Tonk". In this album, this song's track order is #9. Based on our statistics, No. 7 Blues's popularity is not that popular right now. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
With No. 7 Blues by The Reeves Brothers having a BPM of 129 with a half-time of 64 BPM and a double-time of 258 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 4/4.
This song has a musical key of C Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Picket Fence - Bad Romantic Cut | Summer Dean | A Major | 6 | 11B | 95 BPM | ||
Roadsick Blues | Pat Reedy | C Major | 5 | 8B | 142 BPM | ||
Why You Been Gone so Long | Eleven Hundred Springs, Ronnie Dawson | E Major | 7 | 12B | 128 BPM | ||
Welcome To The Blues | Jason James | E Major | 5 | 12B | 127 BPM | ||
Young, Wild & Free | Ellis Bullard | D Major | 5 | 10B | 87 BPM | ||
Can't Get Enough Of You | Alex Williams | A♭ Major | 7 | 4B | 88 BPM | ||
Ole Used To Be | Jason James | A Major | 4 | 11B | 96 BPM | ||
Tomorrow Night | Jake Penrod | C Major | 6 | 8B | 75 BPM | ||
Let Them Talk | Joshua Hedley | E Major | 8 | 12B | 88 BPM | ||
Patrón and Lime | Ellis Bullard | B Minor | 7 | 10A | 173 BPM |
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