"Trombone Concerto: I. Quasi una fantasia" by William Bolcom, Joseph Alessi, New York Philharmonic, Alan Gilbert was released on May 17, 2019. Trombone Concerto: I. Quasi una fantasia appears to be safe for all ages as it is not explicit. There are a total of 13 in the song's album "Soloists of the New York Philharmonic". In this album, this song's track order is #11. Trombone Concerto: I. Quasi una fantasia is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Trombone Concerto: I. Quasi una fantasia by William Bolcom, Joseph Alessi, New York Philharmonic, Alan Gilbert having a BPM of 63 with a half-time of 32 BPM and a double-time of 126 BPM, we would consider this track to have a Larghetto (rather broadly) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
The music key of this track is C Minor. Which also means that the camelot key for this song is 5A. So, the perfect camelot match for 5A would be either 5A or 4B. While, a low energy boost can consist of either 5B or 6A. For moderate energy boost, you would use 2A and a high energy boost can either be 7A or 12A. However, if you are looking for a low energy drop, finding a song with a camelot key of 4A would be a great choice. Where 8A would give you a moderate drop, and 3A or 10A would be a high energy drop. Lastly, 8B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Piano Trio No. 2 in E Minor, Op. 67: IV. Allegretto | Dmitri Shostakovich, Yo-Yo Ma, Emanuel Ax, Isaac Stern | A Major | 1 | 11B | 161 BPM | ||
Goyescas - Suite: 4. Quejas ó la maja y el ruiseñor | Enrique Granados, Alicia de Larrocha | F♯ Minor | 0 | 11A | 65 BPM | ||
Symphony No. 3 in C Minor: IV. Scherzo. Finale. Allegro | Florence Beatrice Price, Philadelphia Orchestra, Yannick Nézet-Séguin | C Minor | 3 | 5A | 132 BPM | ||
Schumann, Clara: Scherzo No. 2 in C Minor, Op. 14 | Clara Schumann, Sophie Pacini | A♭ Major | 2 | 4B | 78 BPM | ||
7 Variations on the Air Vien qua, Dorina bella by Bianchi, Op. 7, J. 53: Variation 1 | Carl Maria von Weber, Michael Endres | C Major | 0 | 8B | 134 BPM | ||
Songs of Innocence and of Experience: Part 3: Coda | William Bolcom, Christine Brewer, Measha Brueggergosman, Ilana Davidson, Linda Hohenfeld, Carmen Pelton, Joan Morris, Marietta Simpson, Thomas Young, Nmon Ford, Nathan Lee Graham, Tommy Morgan, Peter Ruth, Jeremy Kittel, University of Michigan Chamber Choir, University of Michigan University Choir, University of Michigan Musical Society Choral Union, Michigan State University Children's Choir, University of Michigan Orpheus Singers, Contemporary Directions Ensemble, University of Michigan Symphony Orchestra, Leonard Slatkin | D Major | 2 | 10B | 69 BPM | ||
Mélancolie | Francis Poulenc, Alexandre Tharaud | D Major | 1 | 10B | 70 BPM | ||
Lyric Pieces, Op. 65: Bryllupsdag pa Troldhaugen (Wedding Day at Troldhaugen) | Edvard Grieg, Einar Steen-Nøkleberg | D Major | 1 | 10B | 58 BPM | ||
La pentola magica, P. 129: Preludio | Ottorino Respighi, Jakub Francisci, Slovak Radio Symphony Orchestra, Adriano | D Minor | 0 | 7A | 91 BPM | ||
Heaven Will Protect the Working Girl | Joan Morris, William Bolcom | E♭ Major | 1 | 5B | 170 BPM |
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