"Le midi. l'amour épanouï: VI. Een meysken op een ryvierken sadt" by Sebastiaen Vreedman, Capilla Flamenca was released on November 23, 2009. With Le midi. l'amour épanouï: VI. Een meysken op een ryvierken sadt being less than a minute long, we are pretty confident that this song does not contain any foul language. That being said, this song is pretty short compared to other songs. The track order of this song in Capilla Flamenca's "Lassus: Bonjour mon coeur" album is number 13 out of 27. On top of that, Belgium appears to be the country where this track was created. In terms of popularity, Le midi. l'amour épanouï: VI. Een meysken op een ryvierken sadt is currently unknown. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Le midi. l'amour épanouï: VI. Een meysken op een ryvierken sadt by Sebastiaen Vreedman, Capilla Flamenca to be Andante (at a walking pace) because the track has a tempo of 96 BPM, a half-time of 48BPM, and a double-time of 192 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 3/4.
This song has a musical key of A♭ Minor. Because this track belongs in the A♭ Minor key, the camelot key is 1A. So, the perfect camelot match for 1A would be either 1A or 12B. While, a low energy boost can consist of either 1B or 2A. For moderate energy boost, you would use 10A and a high energy boost can either be 3A or 8A. However, if you are looking for a low energy drop, finding a song with a camelot key of 12A would be a great choice. Where 4A would give you a moderate drop, and 11A or 6A would be a high energy drop. Lastly, 4B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Folías: Folias | Gaspar Sanz, Antonio Martín y Coll, José Miguel Moreno | D Minor | 1 | 7A | 95 BPM | ||
Première Suytte de Branles d'Escosse | Pierre Attaingnant, The King's Noyse, David Douglass | E♭ Major | 1 | 5B | 98 BPM | ||
Duets for 2 Lutes in a minor and F Major (Losy) - Sarabande | Edward Martin and Paul Berget | E Major | 0 | 12B | 143 BPM | ||
Ricercar 13 | Giulio Segni Da Modena, Gawain Glenton, Silas Wollston | A Major | 0 | 11B | 77 BPM | ||
Sonata in G Minor: I. Preludio | Martino Bitti, La Camerata de Paris | F♯ Minor | 1 | 11A | 125 BPM | ||
[Suite en la majeur]: XI. Grand Rondeau (No. 28) | Marin Marais, François Joubert-Caillet, L'Achéron | A♭ Major | 2 | 4B | 90 BPM | ||
Die Kunst der Fuge, BWV 1080: XII. Contrapunctus inversus XII | Johann Sebastian Bach, Aapo Häkkinen | D♭ Minor | 5 | 12A | 151 BPM | ||
II. Aria Moderato | James Oswald, Artemandoline | F♯ Major | 1 | 2B | 67 BPM | ||
Tarantellas I (Arr. for Recorders and Baroque Guitar by Miriam Nerval) | Palisander, Toby Carr | G Minor | 1 | 6A | 73 BPM | ||
The Galliarde for the Victorie | William Byrd, Harmonia Recorder Ensemble | G Major | 0 | 9B | 76 BPM |
Section: 1.0791335105895996
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