Adolphe Adam, London Symphony Orchestra, Michael Tilson Thomas made "Giselle: No. 7 - Marche" available on 1987. With this song being around four minutes long, at 3:36, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The song is number 10 out of 33 in Adam: Giselle by Adolphe Adam, Michael Tilson Thomas. In terms of popularity, Giselle: No. 7 - Marche is currently not that popular. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
The tempo marking of Giselle: No. 7 - Marche by Adolphe Adam, London Symphony Orchestra, Michael Tilson Thomas is Moderato (at a moderate speed), since this song has a tempo of 112 BPM. With that information, we can conclude that the song has a moderate tempo. The time signature for this track is 4/4.
D Major is the music key of this track. This also means that this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
"Kettentanz" ~ Strauss: Annen Polka, Op. 137 | London Symphony Orchestra | D Major | 3 | 10B | 84 BPM | ||
Polka from The Bartered Bride | London Symphony Orchestra | E♭ Major | 3 | 5B | 125 BPM | ||
Tchaikovsky: The Sleeping Beauty, Op. 66, Act I "The Spell": No. 9, Finale | Pyotr Ilyich Tchaikovsky, André Previn, London Symphony Orchestra | A Major | 2 | 11B | 118 BPM | ||
La Bayadere: Variation 1: Andante | Ludwig Minkus, Anna Takova-Baynova, Valentina Raicheva, Sofia National Opera Orchestra, Boris Spassov | A Major | 1 | 11B | 130 BPM | ||
Piano Concerto No. 1 in B Flat minor, Op.23 - I. Allegro non troppo e molto maestoso (opening) | Horacio Gutiérrez, London Symphony Orchestra, André Previn | D♭ Major | 3 | 3B | 123 BPM | ||
Hérold & Lanchbery: La fille mal gardée, Act 1: No. 16a, Pas de deux de Fanny Elssler. Introduction | Ferdinand Hérold, John Lanchbery, Royal Liverpool Philharmonic Orchestra, Barry Wordsworth | F Major | 1 | 7B | 107 BPM | ||
Giselle: Act I: Allegro moderato | Adolphe Adam, Slovak Radio Symphony Orchestra, Andrew Mogrelia | G Major | 0 | 9B | 82 BPM | ||
Prokofiev: Cinderella, Op. 87, Act 1: No. 7, The Dancing Lesson (Allegretto) | Sergei Prokofiev, André Previn, London Symphony Orchestra | A Minor | 0 | 8A | 135 BPM | ||
Pas classique | Daniel Auber, London Symphony Orchestra, Richard Bonynge | E Major | 1 | 12B | 107 BPM | ||
Masquerade - Ballet Suite: 2. Nocturne | Aram Khachaturian, John Georgiadis, London Symphony Orchestra, Stanley Black | A Major | 0 | 11B | 111 BPM |
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