Claude Debussy, The Choir of Magdalen College, Oxford, Mark Williams's '3 Chansons de Charles d'Orléans, L. 92: No. 1, Dieu ! Qu’il la fait bon regarder !' came out on April 22, 2022. The duration of 3 Chansons de Charles d'Orléans, L. 92: No. 1, Dieu ! Qu’il la fait bon regarder ! is about two minutes long, specifically at 2:15. This song does not appear to have any foul language. 3 Chansons de Charles d'Orléans, L. 92: No. 1, Dieu ! Qu’il la fait bon regarder !'s duration is considered a little bit shorter than the average duration of a typical track. There are a total of 28 in the song's album "The Sweet and Merry Month: Music for May Morning". In this album, this song's track order is #15. Furthermore, we believe that the track originated from United Kingdom. The popularity of 3 Chansons de Charles d'Orléans, L. 92: No. 1, Dieu ! Qu’il la fait bon regarder ! is currently not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With 3 Chansons de Charles d'Orléans, L. 92: No. 1, Dieu ! Qu’il la fait bon regarder ! by Claude Debussy, The Choir of Magdalen College, Oxford, Mark Williams having a BPM of 182 with a half-time of 91 BPM and a double-time of 364 BPM, we would consider this track to have a Presto (very, very fast) tempo marking. Because of this, we believe that the song has an overall fast tempo. The time signature for this track is 4/4.
B Minor is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 10A. So, the perfect camelot match for 10A would be either 10A or 9B. While, a low energy boost can consist of either 10B or 11A. For moderate energy boost, you would use 7A and a high energy boost can either be 12A or 5A. However, if you are looking for a low energy drop, finding a song with a camelot key of 9A would be a great choice. Where 1A would give you a moderate drop, and 8A or 3A would be a high energy drop. Lastly, 1B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Nocturnes: No. 1. Nuages | Claude Debussy, MDR Leipzig Radio Chorus, Leipzig Radio Symphony Orchestra, Max Pommer | C Major | 0 | 8B | 76 BPM | ||
Borodin - String Quartet No.2 in D major: Notturno: Andante | Alexander Borodin, Borodin Quartet | A Major | 2 | 11B | 74 BPM | ||
Violin Concerto No. 1 in A minor, BWV 1041: I. (Allegro moderato) | Johann Sebastian Bach, Daniel Lozakovich, Chamber Orchestra of the Bavarian Radio, Radoslaw Szulc, Olga Watts | A Minor | 4 | 8A | 91 BPM | ||
Liebesleid | Fritz Kreisler, Joshua Bell, Paul Coker | A Major | 1 | 11B | 74 BPM | ||
Pelléas et Mélisande, Op.80: 3. Sicilienne | Gabriel Fauré, Academy of St. Martin in the Fields, Sir Neville Marriner | G Minor | 0 | 6A | 111 BPM | ||
Symphony No. 9 in E Minor, Op. 95 "From the New World": I. Adagio — Allegro molto | Antonín Dvořák, New York Philharmonic, Alan Gilbert | E Minor | 1 | 9A | 125 BPM | ||
Suite bergamsque, L. 75: III. Clair de lune | Tom Peters, Claude Debussy | D♭ Major | 1 | 3B | 147 BPM | ||
Kamarinskaya (Air russe varie) | John Field, Miceal O'Rourke | B♭ Major | 1 | 6B | 92 BPM | ||
16 Waltzes, Op. 39: No. 15 In A Flat Major | Johannes Brahms, Idil Biret | A♭ Major | 0 | 4B | 68 BPM | ||
24 Préludes, Op. 28: No.4 in E minor - Largo | Frédéric Chopin, Alexandre Tharaud | F Major | 0 | 7B | 111 BPM |
Section: 0.6579744815826416
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