City Of Birmingham Symphony Orchestra, Sir Mark Elder's 'Hamlet Op. 32 - 1932 Production - Act II - Hamlet and Rosencrantz's scene' came out on June 28, 2005. With Hamlet Op. 32 - 1932 Production - Act II - Hamlet and Rosencrantz's scene being less than a minute long, we are pretty confident that this song does not contain any foul language. That being said, this song is pretty short compared to other songs. There are a total of 44 in the song's album "Shostakovich: Hamlet & King Lear". In this album, this song's track order is #6. In terms of popularity, Hamlet Op. 32 - 1932 Production - Act II - Hamlet and Rosencrantz's scene is currently unknown. Although the overall vibe is very danceable, it does project more negative sounds.
With Hamlet Op. 32 - 1932 Production - Act II - Hamlet and Rosencrantz's scene by City Of Birmingham Symphony Orchestra, Sir Mark Elder having a BPM of 113 with a half-time of 56 BPM and a double-time of 226 BPM, we would consider this track to have a Moderato (at a moderate speed) tempo marking. Because of this, we believe that the song has an overall moderate tempo. The time signature for this track is 4/4.
C Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Double Concerto in A Minor, Op. 102 for Violin, Cello and Orchestra: III. Vivace non troppo | Johannes Brahms, Joshua Bell, Steven Isserlis, Academy of St. Martin in the Fields | A Minor | 2 | 8A | 86 BPM | ||
Mahler: Symphony No. 2 in C Minor "Resurrection": IV. Urlicht. Sehr feierlich, aber schlicht | Gustav Mahler, Sir Simon Rattle, Dame Janet Baker, City Of Birmingham Symphony Orchestra | B♭ Major | 2 | 6B | 130 BPM | ||
Mahler: Symphony No. 8 in E-Flat Major "Of a Thousand", Pt. 2 "Final Scene from Faust": III. Waldung, sie schwankt heran | Gustav Mahler, City Of Birmingham Symphony Orchestra, Sir Simon Rattle, City of Birmingham Symphony Chorus, London Symphony Chorus | B Minor | 0 | 10A | 112 BPM | ||
Stravinsky: The Rite of Spring, Pt. 1 "Adoration of the Earth": Introduction - Augurs of Spring - Dances of the Young Girls - Ritual of Abduction | Igor Stravinsky, Sir Simon Rattle, City Of Birmingham Symphony Orchestra | A Major | 1 | 11B | 103 BPM | ||
The Firebird: Scene 1: The Firebird enters, pursued by Ivan Tsarevich | Igor Stravinsky, City Of Birmingham Symphony Orchestra, Andris Nelsons | A Major | 0 | 11B | 139 BPM | ||
Symphony No. 3 in C minor 'Organ' Op. 78 (1989 Digital Remaster): II. Allegro moderato - | Camille Saint-Saëns, Christopher Robinson/City of Birmingham Symphony Orchestra/Louis Frémaux, Louis Frémaux, City Of Birmingham Symphony Orchestra | A♭ Major | 2 | 4B | 84 BPM | ||
Legende | Frederick Delius, Andrew Davis, BBC Philharmonic, Tasmin Little | A♭ Major | 1 | 4B | 86 BPM | ||
Shostakovich: Suite for Jazz Orchestra No. 1, Op. 38a: I. Waltz | Dmitri Shostakovich, Philadelphia Orchestra, Mariss Jansons | E♭ Major | 0 | 5B | 81 BPM | ||
Symphony No. 5 in B Flat Major, D. 485: II. Andante con moto | Franz Schubert, Chamber Orchestra of Europe, Claudio Abbado | E♭ Major | 1 | 5B | 81 BPM | ||
Piano Concerto in C-Sharp Minor, FP 146: I. Allegretto commodo - Live | Francis Poulenc, Yannick Nézet-Séguin, London Philharmonic Orchestra, Alexandre Tharaud | A♭ Major | 1 | 4B | 135 BPM |
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