On November 2, 2002, the song "Instruments Of The Orchestra: Glinka: Jota Aragonesa" was released by Jeremy Siepmann. With Instruments Of The Orchestra: Glinka: Jota Aragonesa being less than two minutes long, at 1:09, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There are a total of 410 in the song's album "The Instruments Of The Orchestra". In this album, this song's track order is #18. Furthermore, we believe that the track originated from Hong Kong. In terms of popularity, Instruments Of The Orchestra: Glinka: Jota Aragonesa is currently unknown. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
With Instruments Of The Orchestra: Glinka: Jota Aragonesa by Jeremy Siepmann having a BPM of 111 with a half-time of 56 BPM and a double-time of 222 BPM, we would consider this track to have a Moderato (at a moderate speed) tempo marking. Because of this, we believe that the song has an overall moderate tempo. The time signature for this track is 5/4.
This song is in the music key of E♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 5B. So, the perfect camelot match for 5B would be either 5B or 6A. While, 6B can give you a low energy boost. For moderate energy boost, you would use 2B and a high energy boost can either be 7B or 12B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 5A or 4B will give you a low energy drop, 8B would be a moderate one, and 3B or 10B would be a high energy drop. Lastly, 2A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
5 Lieder, Op. 49: No. 4, Wiegenlied | Johannes Brahms, Elly Ameling, Dalton Baldwin | E♭ Major | 0 | 5B | 92 BPM | ||
Cello Concerto No. 3 in A Major, Wq. 172: III. Allegro assai | Carl Philipp Emanuel Bach, Daniel Müller-Schott, L'Arte del mondo, Werner Ehrhardt | E Major | 2 | 12B | 107 BPM | ||
Instruments Of The Orchestra: Messiaen: Turangalila Symphony: II. Chant D'amour I | Jeremy Siepmann | B Major | 2 | 1B | 118 BPM | ||
Concerto In G Minor R439 Op.10 No.2 "La Notte": 3. Il sonno. Largo - Allegro | Antonio Vivaldi, Andreas Blau, Berliner Philharmoniker, Herbert von Karajan | G Minor | 2 | 6A | 124 BPM | ||
Haydn: String Quartet in C Major, Op. 76 No. 3, Hob. III:77 "Emperor": II. (a) Poco adagio, cantabile | Franz Joseph Haydn, Alban Berg Quartett | B♭ Major | 1 | 6B | 101 BPM | ||
Rakoczy March from Hungarian Rhapsody No. 15 in A Minor, S. 244 / 15 - Horowitz Version | Franz Liszt, Lang Lang | A Major | 3 | 11B | 83 BPM | ||
Solomon, HWV 67: The Arrival Of The Queen Of Sheba | Georg Friedrich Händek, Robert Haydon Clark, Consort of London | B♭ Major | 3 | 6B | 120 BPM | ||
Symphony No. 6 in B Minor, Op. 74 "Pathétique": II. Allegro con grazia | Pyotr Ilyich Tchaikovsky, Teodor Currentzis, musicAeterna | D Major | 2 | 10B | 66 BPM | ||
Peer Gynt Suite No.1, Op.46: 3. Anitra's Dance | Edvard Grieg, Berliner Philharmoniker, Herbert von Karajan | D Minor | 0 | 7A | 84 BPM | ||
Pictures at an Exhibition (Orch. Ravel): II. The Old Castle | Modest Mussorgsky, Wiener Philharmoniker, Gustavo Dudamel | A♭ Major | 0 | 4B | 82 BPM |
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