"3rd Movement from Quartet for Violin, Clarinet, Cello and Piano" by Duke Ellington, Peter Schickele, Celia Nicklin, Michael Laird, Maria Newman, Diane Gold, Various Artists, Irvine Arditti, David Alberman, Levine Andrade, Rohan De Saram, Sir Neville Marriner, Leonard Bernstein, Serge Koussevitzky, Neeme Järvi, Antal Doráti, Lukas Foss, Academy of St. Martin in the Fields, New York Philharmonic, Boston Symphony Orchestra, Detroit Symphony Orchestra, Milwaukee Symphony Orchestra was released on January 1, 1995. With this song being about 5 minutes long, at 4:48, "3rd Movement from Quartet for Violin, Clarinet, Cello and Piano" by Duke Ellington, Peter Schickele, Celia Nicklin, Michael Laird, Maria Newman, Diane Gold, Various Artists, Irvine Arditti, David Alberman, Levine Andrade, Rohan De Saram, Sir Neville Marriner, Leonard Bernstein, Serge Koussevitzky, Neeme Järvi, Antal Doráti, Lukas Foss, Academy of St. Martin in the Fields, New York Philharmonic, Boston Symphony Orchestra, Detroit Symphony Orchestra, Milwaukee Symphony Orchestra is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. There are a total of 12 in the song's album "The Romantic Approach: A Special Collection of 20th Century American Music". In this album, this song's track order is #9. Furthermore, we believe that the track originated from Germany. In terms of popularity, 3rd Movement from Quartet for Violin, Clarinet, Cello and Piano is currently unknown. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With 3rd Movement from Quartet for Violin, Clarinet, Cello and Piano by Duke Ellington, Peter Schickele, Celia Nicklin, Michael Laird, Maria Newman, Diane Gold, Various Artists, Irvine Arditti, David Alberman, Levine Andrade, Rohan De Saram, Sir Neville Marriner, Leonard Bernstein, Serge Koussevitzky, Neeme Järvi, Antal Doráti, Lukas Foss, Academy of St. Martin in the Fields, New York Philharmonic, Boston Symphony Orchestra, Detroit Symphony Orchestra, Milwaukee Symphony Orchestra having a BPM of 95 with a half-time of 48 BPM and a double-time of 190 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. Looking at the BPM of this song, this song might go great with yoga or pilates. The time signature for this track is 4/4.
B♭ Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Evening In Paris | Zoot Sims | F♯ Major | 2 | 2B | 63 BPM | ||
Days Of Wine And Roses | McCoy Tyner | G Minor | 1 | 6A | 66 BPM | ||
Willow Weep for Me | Ray Bryant | C Major | 2 | 8B | 176 BPM | ||
In Your Own Sweet Way | Wes Montgomery | E♭ Major | 1 | 5B | 122 BPM | ||
Dat Dere (Live) | Bobby Timmons Trio | A♭ Major | 1 | 4B | 147 BPM | ||
Look For The Silver Lining | Chet Baker | D Major | 2 | 10B | 80 BPM | ||
St. Thomas | Sonny Rollins, Tommy Flanagan, Doug Watkins, Max Roach | C Major | 6 | 8B | 105 BPM | ||
Blue Train - Remastered 2003 | John Coltrane | A♭ Major | 5 | 4B | 135 BPM | ||
Cantaloupe Island - Remastered | Herbie Hancock | C Minor | 6 | 5A | 116 BPM | ||
Django - Rudy Van Gelder Edition / Remastered 1999 | Grant Green | B♭ Minor | 4 | 3A | 117 BPM |
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