Trần Hoài Phương's 'Con Mắt Còn Lại' came out on August 28, 2018. The duration of Con Mắt Còn Lại is about 3 minutes long, at 3:12. Based on our data, "Con Mắt Còn Lại" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The track order of this song in Trần Hoài Phương's "Góp Lá Mùa Xuân (Độc Tấu Guitar)" album is number 7 out of 10. On top of that, Vietnam appears to be the country where this track was created. Based on our statistics, Con Mắt Còn Lại's popularity is unknown right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
We consider the tempo marking of Con Mắt Còn Lại by Trần Hoài Phương to be Allegro (fast, quick, and bright) because the track has a tempo of 133 BPM, a half-time of 66BPM, and a double-time of 266 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 4/4.
This song has a musical key of B Minor. This also means that this song has a camelot key of 10A. So, the perfect camelot match for 10A would be either 10A or 9B. While, a low energy boost can consist of either 10B or 11A. For moderate energy boost, you would use 7A and a high energy boost can either be 12A or 5A. However, if you are looking for a low energy drop, finding a song with a camelot key of 9A would be a great choice. Where 1A would give you a moderate drop, and 8A or 3A would be a high energy drop. Lastly, 1B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Welcome Back | Valter Borrione | D Major | 2 | 10B | 65 BPM | ||
シンドラーのリストのテーマ (Guitar ver.) | John Williams, 田口尋夢 | D Minor | 1 | 7A | 85 BPM | ||
月の光 ~ベルガマスク組曲より~ | Claude Debussy, Yasuji Ohagi | A Minor | 0 | 8A | 75 BPM | ||
Quince Estudios Venezolanos: No. 3, Cancion Paramena | Efrain Silva, Ivan Petričević | D Major | 1 | 10B | 134 BPM | ||
Suite Española No. 1, Op. 47 (Arr. Laura Lootens for Solo Guitar): No. 4, Cádiz (Saeta) | Isaac Albéniz, Laura Lootens | A Major | 1 | 11B | 88 BPM | ||
Duo for 2 Guitars in G Major: II. Romanze andante | Hermann Ambrosius, Duo Imbesi Zangarà | G Major | 3 | 9B | 128 BPM | ||
Les Soirées D'auteuil, Op. 23 | Napoleon Coste, Edson Lopes | A Major | 2 | 11B | 125 BPM | ||
La solitude | Carlos Fuentes | A Major | 5 | 11B | 84 BPM | ||
Alang-Alang Sa 'yo | Raffy Lata | D Major | 1 | 10B | 73 BPM | ||
Raindrops | Itsuki Sakamoto, Tsuki | B Minor | 1 | 10A | 132 BPM |
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