On October 7, 2016, the song "French Suite No. 6 in E Major, BWV 817: VIII. Gigue" was released by Johann Sebastian Bach, Murray Perahia. The duration of French Suite No. 6 in E Major, BWV 817: VIII. Gigue is about two minutes long, specifically at 2:31. This song does not appear to have any foul language. French Suite No. 6 in E Major, BWV 817: VIII. Gigue's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Johann Sebastian Bach, Murray Perahia's "Johann Sebastian Bach: The French Suites" album is number 39 out of 39. Based on our statistics, French Suite No. 6 in E Major, BWV 817: VIII. Gigue's popularity is not that popular right now. The overall mood can be danceable to some, especially with it's high amount of postive energy.
We consider the tempo marking of French Suite No. 6 in E Major, BWV 817: VIII. Gigue by Johann Sebastian Bach, Murray Perahia to be Allegro (fast, quick, and bright) because the track has a tempo of 128 BPM, a half-time of 64BPM, and a double-time of 256 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 4/4.
This song is in the music key of E Major. This also means that this song has a camelot key of 12B. So, the perfect camelot match for 12B would be either 12B or 1A. While, 1B can give you a low energy boost. For moderate energy boost, you would use 9B and a high energy boost can either be 2B or 7B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 12A or 11B will give you a low energy drop, 3B would be a moderate one, and 10B or 5B would be a high energy drop. Lastly, 9A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Faschingsschwank aus Wien, Op. 26: IV. Intermezzo (Colla più grande energia) | Robert Schumann, Maria João Pires | D♭ Major | 2 | 3B | 109 BPM | ||
Concerto for Oboe and Bassoon in G Major, RV 545: II. Largo | Antonio Vivaldi, Julian Lloyd Webber, Jiaxin Lloyd Webber, European Union Chamber Orchestra, Hanspeter Hofmann | D Major | 0 | 10B | 83 BPM | ||
Musical Offering, BWV 1079: Canon 3. a 2 per Motum contrarium | Johann Sebastian Bach, Nils-Thilo Krämer, Ariane Pfister, Christian Benda, Sebastian Benda, Capella Istropolitana | C Minor | 2 | 5A | 172 BPM | ||
Suite No. 5 in E Major, HWV 430: I. Prelude | George Frideric Handel, Murray Perahia | E Major | 1 | 12B | 127 BPM | ||
Keyboard Sonata in D Minor, Wq. 54/3, H. 184: I. Allegro ma non troppo | Carl Philipp Emanuel Bach, Ana-Marija Markovina | C Major | 1 | 8B | 108 BPM | ||
12 German Dances, D790: No.11 | Franz Schubert, Mitsuko Uchida | A♭ Major | 0 | 4B | 111 BPM | ||
Concerto For 2 Keyboards In C Major, BWV 1061: II. Adagio | Cologne Chamber Orchestra, Gerald Hambitzer, Christoph Anselm Noll, Johann Sebastian Bach | A Minor | 1 | 8A | 81 BPM | ||
French Suite No. 5 in G Major, BWV 816: V. Bourrée | Johann Sebastian Bach, Murray Perahia | G Major | 3 | 9B | 95 BPM | ||
Overture (Suite) In D Major, TWV 55:D15: III. Harlequinade | Cologne Chamber Orchestra, Georg Philipp Telemann | D Major | 3 | 10B | 135 BPM | ||
Pictures at an Exhibition: Promenade. Moderato commodo assai e con delicatezza - attacca | Modest Mussorgsky, Ivo Pogorelich | D♭ Minor | 0 | 12A | 68 BPM |
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