On November 18, 2022, the song "Il Pastor fido, HWV 8a (Arr. for Orchestra): Occhio belli" was released by George Frideric Handel, Capriccio Barockorchester, Dominik Kiefer. The duration of Il Pastor fido, HWV 8a (Arr. for Orchestra): Occhio belli is about two minutes long, specifically at 2:28. This song does not appear to have any foul language. Il Pastor fido, HWV 8a (Arr. for Orchestra): Occhio belli's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in George Frideric Handel, Capriccio Barockorchester, Dominik Kiefer's "Handel: Ballo per Orchestra" album is number 16 out of 22. On top of that, Switzerland appears to be the country where this track was created. Il Pastor fido, HWV 8a (Arr. for Orchestra): Occhio belli is not that popular right now. The overall mood can be danceable to some, especially with it's high amount of postive energy.
We consider the tempo marking of Il Pastor fido, HWV 8a (Arr. for Orchestra): Occhio belli by George Frideric Handel, Capriccio Barockorchester, Dominik Kiefer to be Andante (at a walking pace) because the track has a tempo of 80 BPM, a half-time of 40BPM, and a double-time of 160 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
This song is in the music key of D♭ Major. This also means that this song has a camelot key of 3B. So, the perfect camelot match for 3B would be either 3B or 4A. While, 4B can give you a low energy boost. For moderate energy boost, you would use 12B and a high energy boost can either be 5B or 10B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 3A or 2B will give you a low energy drop, 6B would be a moderate one, and 1B or 8B would be a high energy drop. Lastly, 12A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Handel: Radamisto, HWV 12a, Act III, Scene 8: Recitativo. "In questo tempio" (Tiridate, Farasmane, Zenobia, Radamisto, Polissena, Fraate, Tigrane) | George Frideric Handel, Alan Curtis, Carlo Lepore, Dominique Labelle, Joyce DiDonato, Laura Cherici, Maite Beaumont, Patrizia Ciofi, Zachary Stains, Il Complesso Barocco | E Major | 2 | 12B | 129 BPM | ||
Oboe Concerto in C Major, Op. 9, No. 5: I. Allegro | Tomaso Albinoni, Anthony Camden, London Virtuosi, John Georgiadis | C Major | 3 | 8B | 108 BPM | ||
Les Boréades, RCT 31, Acte IV, Scène IV: Entrée pour les Muses, les Zéphyres, les Saisons, les Heures et les Arts | Jean-Philippe Rameau, Teodor Currentzis | D♭ Major | 1 | 3B | 130 BPM | ||
Bach, JS : Well-Tempered Clavier Book 1 : Prelude No.3 in C sharp major BWV848 | Daniel Barenboim | D♭ Major | 1 | 3B | 84 BPM | ||
3 Romances sans paroles, Op. 17: No. 3 in A-Flat Major (Arr. P. Gouin for Cello & Piano) | Gabriel Fauré, Jesper Svedberg, Simon Crawford-Phillips | A Major | 0 | 11B | 79 BPM | ||
Concerto for 2 Cellos, Strings and Continuo in G minor, RV 531: 2. Largo | Antonio Vivaldi, Anner Bylsma, Anthony Pleeth, Academy of Ancient Music, Christopher Hogwood | A♭ Major | 0 | 4B | 75 BPM | ||
Dido and Aeneas, Z. 626 / Act III: "When I Am Laid in Earth" Dido's Lamento (Arr. by Mathieu Herzog for Cello and Strings) | Henry Purcell, Camille Thomas, Brussels Philharmonic, Mathieu Herzog | G Minor | 1 | 6A | 77 BPM | ||
Gavotte (Paride ed Elena) | Christoph Willibald Gluck, Johannes Brahms, Matti Raekallio | A Major | 0 | 11B | 98 BPM | ||
Rinaldo: Aria: Sorte amor vuol che quest’alma | George Frideric Handel, Giacomo Rossi, Aaron Hill, Filippo Mineccia, I musici del Gran Principe, Samuele Lastrucci | D♭ Major | 4 | 3B | 121 BPM | ||
Nulla in mundo pax, RV 630: 1. Nulla in mundo pax | Antonio Vivaldi, Emma Kirkby, Academy of Ancient Music, Christopher Hogwood | E♭ Major | 1 | 5B | 99 BPM |
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