Il Sansone (Oratorio in due canti), Canto Secondo: Sinfonia
Il Complesso Barocco/Alan Curtis
Ferrari - Il Sansome/Solo Songs
0:44 2000
BPM
128
Key
G Minor
Camelot
6A

Embed

Share Link

Il Sansone (Oratorio in due canti), Canto Secondo: Sinfonia - Il Complesso Barocco/Alan Curtis Information

Acousticness
86%
Danceability
34%
Energy
7%
Instrumentalness
0%
Liveness
32%
Loudness
60%
Speechiness
5%
Valence
53%
Popularity
Loudness
-23.709 dB

Summary

Il Complesso Barocco/Alan Curtis made "Il Sansone (Oratorio in due canti), Canto Secondo: Sinfonia" available on 2000. With Il Sansone (Oratorio in due canti), Canto Secondo: Sinfonia being less than a minute long, we are pretty confident that this song does not contain any foul language. That being said, this song is pretty short compared to other songs. The song is number 22 out of 34 in Ferrari - Il Sansome/Solo Songs by Benedetto Ferrari, Il Complesso Barocco/Alan Curtis. Based on our statistics, Il Sansone (Oratorio in due canti), Canto Secondo: Sinfonia's popularity is unknown right now. Based on the vibe, this track doesn't seem to be that danceable, however its valence properties can make this some somewhat danceable.

Il Sansone (Oratorio in due canti), Canto Secondo: Sinfonia BPM

The tempo marking of Il Sansone (Oratorio in due canti), Canto Secondo: Sinfonia by Il Complesso Barocco/Alan Curtis is Allegro (fast, quick, and bright), since this song has a tempo of 128 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 5/4.

Il Sansone (Oratorio in due canti), Canto Secondo: Sinfonia Key

This song is in the music key of G Minor. Because this track belongs in the G Minor key, the camelot key is 6A. So, the perfect camelot match for 6A would be either 6A or 5B. While, a low energy boost can consist of either 6B or 7A. For moderate energy boost, you would use 3A and a high energy boost can either be 8A or 1A. However, if you are looking for a low energy drop, finding a song with a camelot key of 5A would be a great choice. Where 9A would give you a moderate drop, and 4A or 11A would be a high energy drop. Lastly, 9B allows you to change the mood.

Recommendations

TrackArtistKeyEnergyCamelotBPM
Telemann: Ouverture-Suite for Recorder and Strings in A Minor, TWV 55:a2: VI. Passepieds I & II by Georg Philipp Telemann, Sir Neville Marriner, David Munrow, Academy of St. Martin in the FieldsTelemann: Ouverture-Suite for Recorder and Strings in A Minor, TWV 55:a2: VI. Passepieds I & IIGeorg Philipp Telemann, Sir Neville Marriner, David Munrow, Academy of St. Martin in the FieldsB♭ Major36B105 BPM
A battaglia, pensieri: Aria: A battaglia, pensieri by Alessandro Scarlatti, Ruth Ziesak, Reinhold Friedrich, Budapest Strings, Karoly BotvayA battaglia, pensieri: Aria: A battaglia, pensieriAlessandro Scarlatti, Ruth Ziesak, Reinhold Friedrich, Budapest Strings, Karoly BotvayC Major18B135 BPM
Symphony in C Major, H. 659, Wq. 182/3: I. Allegro assai by Carl Philipp Emanuel Bach, Akademie für Alte Musik Berlin, Georg KallweitSymphony in C Major, H. 659, Wq. 182/3: I. Allegro assaiCarl Philipp Emanuel Bach, Akademie für Alte Musik Berlin, Georg KallweitD♭ Major13B140 BPM
Concerto in E Major: III. Siciliano by Carl Heinrich Graun, Fréderick Franssen, Members of the Netherlands Radio Philharmonic OrchestraConcerto in E Major: III. SicilianoCarl Heinrich Graun, Fréderick Franssen, Members of the Netherlands Radio Philharmonic OrchestraE♭ Major35B100 BPM
Exaudiat te Dominus, LWV 77 No. 15: V. Exaudiet illum de caelo sancto suo by Jean-Baptiste Lully, Stephane Fuget, Les Épopées, Les Pages & Les Chantres du Centre de Musique Baroque de VersaillesExaudiat te Dominus, LWV 77 No. 15: V. Exaudiet illum de caelo sancto suoJean-Baptiste Lully, Stephane Fuget, Les Épopées, Les Pages & Les Chantres du Centre de Musique Baroque de VersaillesB♭ Major66B94 BPM
David, azione sacra, Parte Prima: Recitativo (Gionata, David, Micol) S'io t'ami, il sai.' Recitativo accompagnato (David) 'Eccelso Dio che sorgi' Recitativo (Micol, Gionata) 'Quasai al partir du lui' by Francesco Bartolomeo Conti, Il Complesso Barocco/Alan Curtis/Marijana Mijanovic/Birgit Christensen/Simone Kermes, Alan CurtisDavid, azione sacra, Parte Prima: Recitativo (Gionata, David, Micol) S'io t'ami, il sai.' Recitativo accompagnato (David) 'Eccelso Dio che sorgi' Recitativo (Micol, Gionata) 'Quasai al partir du lui'Francesco Bartolomeo Conti, Il Complesso Barocco/Alan Curtis/Marijana Mijanovic/Birgit Christensen/Simone Kermes, Alan CurtisD Major010B172 BPM
Concerto VII in F Major: IV. Allegro by António Pereira da Costa, Ensemble Bonne Corde, Diana VinagreConcerto VII in F Major: IV. AllegroAntónio Pereira da Costa, Ensemble Bonne Corde, Diana VinagreF Major27B109 BPM
Les fêtes d'Hébé, RCT 41, Act I Scene 3: En vain contre Thélème by Jean-Philippe Rameau, Chantal Santon Jeffery, Orfeo Orchestra, Gyorgy VashegyiLes fêtes d'Hébé, RCT 41, Act I Scene 3: En vain contre ThélèmeJean-Philippe Rameau, Chantal Santon Jeffery, Orfeo Orchestra, Gyorgy VashegyiE♭ Major05B99 BPM
Hamburg Symphony No. 6 in E Major, Wq. 182: II. Poco andante by Carl Philipp Emanuel Bach, Arte dei Suonatori, Marcin ŚwiątkiewiczHamburg Symphony No. 6 in E Major, Wq. 182: II. Poco andanteCarl Philipp Emanuel Bach, Arte dei Suonatori, Marcin ŚwiątkiewiczD♭ Major33B100 BPM
Missa Sancti Pauli: No. 4, Gloria in excelsis Deo by Francesco Bartolomeo Conti, Adriána Kalafszky, Peter Bárány, Purcell Choir, Orfeo Orchestra, Gyorgy VashegyiMissa Sancti Pauli: No. 4, Gloria in excelsis DeoFrancesco Bartolomeo Conti, Adriána Kalafszky, Peter Bárány, Purcell Choir, Orfeo Orchestra, Gyorgy VashegyiD Minor37A121 BPM
ISRC
This song does not have an ISRC.
Label
L-M Records/RCA Records

Section: 0.5938608646392822

End: 0.5980737209320068