Henry Thomas Smart, Anne Marsden Thomas made "Air with Variations & Finale fugato in A Major: Var. 2" available on September 18, 1991. With Air with Variations & Finale fugato in A Major: Var. 2 being less than two minutes long, at 1:00, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There are a total of 17 in the song's album "The Organ Music of Henry Smart". In this album, this song's track order is #4. Furthermore, we believe that the track originated from United Kingdom. In terms of popularity, Air with Variations & Finale fugato in A Major: Var. 2 is currently unknown. Based on the vibe, this track doesn't seem to be that danceable, however its valence properties can make this some somewhat danceable.
With Air with Variations & Finale fugato in A Major: Var. 2 by Henry Thomas Smart, Anne Marsden Thomas having a BPM of 100 with a half-time of 50 BPM and a double-time of 200 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song is in the music key of A Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 11B. So, the perfect camelot match for 11B would be either 11B or 12A. While, 12B can give you a low energy boost. For moderate energy boost, you would use 8B and a high energy boost can either be 1B or 6B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 11A or 10B will give you a low energy drop, 2B would be a moderate one, and 9B or 4B would be a high energy drop. Lastly, 8A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Begin, My Soul, The Exalted Lay | Alice Parker, Oasis Chorale, Wendell Nisly | E Minor | 2 | 9A | 182 BPM | ||
Ubi Caritas | Ola Gjeilo, Westminster Williamson Voices, James Jordan | G Major | 2 | 9B | 77 BPM | ||
Southwell "Lord Jesus, Think on Me" | William Daman, Collegiate Church of St Mary Warwick Choir, Christopher Monks, Christopher Betts | E Minor | 1 | 9A | 101 BPM | ||
Sancta Mater | Kim André Arnesen, Haderslev Domkirkes Pigekor, Sønderjyllands Symfoniorkester, Thomas Berg-Juul | F Major | 0 | 7B | 98 BPM | ||
I Will Wash My Hands in Innocency | Edward Bairstow, The Choir of York Minster, Robert Sharpe | B Major | 2 | 1B | 0 BPM | ||
Now May He Who from the Dead | The Coventry Singers | C Major | 3 | 8B | 117 BPM | ||
Purge Me From My Sin | The Concordia Choir | F♯ Minor | 1 | 11A | 73 BPM | ||
Wesley: And Can It Be That I Should Gain (Sagina) - 2. 'tis Mystery All! the Immortal Dies | Methodist Central Hall Choir, Westminster, John Chapman, Epworth Choir | E♭ Major | 1 | 5B | 0 BPM | ||
To God Be the Glory | Harvard University Choir | G Major | 2 | 9B | 105 BPM | ||
Postlude in D - St Michael's Parish Church, Inveresk | Peter Backhouse, Henry Thomas Smart | E♭ Major | 0 | 5B | 68 BPM |
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