Nikolai Kapustin, Frank Dupree, Rosanne Philippens, Württemberg Chamber Orchestra, Case Scaglione's 'Concerto for Violin & Piano, Op. 105: II. Largo' came out on August 6, 2021. Since Concerto for Violin & Piano, Op. 105: II. Largo is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The track order of this song in Richard J. Birkin, London Contemporary Orchestra, Henrik Lindstrand, Robert Ames, Poppy Ackroyd, Nikolai Kapustin, Frank Dupree, Württemberg Chamber Orchestra, Case Scaglione's "Kapustin: Orchestral Works" album is number 3 out of 7. On top of that, Germany appears to be the country where this track was created. In terms of popularity, Concerto for Violin & Piano, Op. 105: II. Largo is currently not that popular. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
We consider the tempo marking of Concerto for Violin & Piano, Op. 105: II. Largo by Nikolai Kapustin, Frank Dupree, Rosanne Philippens, Württemberg Chamber Orchestra, Case Scaglione to be Andante (at a walking pace) because the track has a tempo of 103 BPM, a half-time of 52BPM, and a double-time of 206 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 3/4.
This song has a musical key of A Major. This also means that this song has a camelot key of 11B. So, the perfect camelot match for 11B would be either 11B or 12A. While, 12B can give you a low energy boost. For moderate energy boost, you would use 8B and a high energy boost can either be 1B or 6B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 11A or 10B will give you a low energy drop, 2B would be a moderate one, and 9B or 4B would be a high energy drop. Lastly, 8A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
3 Ghost Rags: No. 1. The Graceful Ghost | William Bolcom, Spencer Myer | B♭ Minor | 0 | 3A | 116 BPM | ||
Induló | György Ligeti, Pierre-Laurent Aimard, Irina Kataeva | E Minor | 1 | 9A | 136 BPM | ||
Primer cuaderno: I. Angelico | Federico Mompou | A Minor | 0 | 8A | 100 BPM | ||
Concerto No. 2, Op. 14: I. Allegro molto | Nikolai Kapustin, Dmitry Masleev, Vladimir Lande, Siberian State Symphony Orchestra | F Major | 4 | 7B | 116 BPM | ||
2 Pieces for the Left Hand, Op. 9: Prelude for the Left Hand in C-Sharp Minor, Op. 9, No. 1 | Alexander Scriabin, Evgeny Zarafiants | D Major | 0 | 10B | 69 BPM | ||
Preludes, Book 1: No. 10: La cathedrale engloutie | Claude Debussy, François-Joël Thiollier | C Major | 0 | 8B | 65 BPM | ||
Schumann: Gesänge der Frühe, Op. 133: II. Belebt, nicht zu rasch | Robert Schumann, Piotr Anderszewski | D Major | 1 | 10B | 75 BPM | ||
3 Hungarian Folksongs from the Csìk District, BB 45b, Sz. 35a | Béla Bartók, Zoltán Kocsis | F♯ Minor | 0 | 11A | 62 BPM | ||
Concerto for 2 Pianos & Percussion, Op. 104: II. Largo | Nikolai Kapustin, Frank Dupree, Adrian Brendle, Meinhard Jenne, Franz Bach | F♯ Minor | 3 | 11A | 92 BPM | ||
Cinq morceaux pour piano, Op. 75: Granen, Op. 75: No. 5 | Jean Sibelius, Janne Mertanen | D Major | 0 | 10B | 138 BPM |
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