"Pachelbel: Canon and Gigue for Three Violins and Continuo in D Major: Canon (Orchestral Version)" by Johann Pachelbel, Sir Neville Marriner, Academy of St. Martin in the Fields was released on February 7, 2011. With this song being about 5 minutes long, at 5:00, "Pachelbel: Canon and Gigue for Three Violins and Continuo in D Major: Canon (Orchestral Version)" by Johann Pachelbel, Sir Neville Marriner, Academy of St. Martin in the Fields is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The song is number 9 out of 19 in Baroque Masterpieces by Sir Neville Marriner. Going off of the ISRC code of this track, we detected that the origin of this track is from United Kingdom. Pachelbel: Canon and Gigue for Three Violins and Continuo in D Major: Canon (Orchestral Version) is average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Pachelbel: Canon and Gigue for Three Violins and Continuo in D Major: Canon (Orchestral Version) by Johann Pachelbel, Sir Neville Marriner, Academy of St. Martin in the Fields is Andante (at a walking pace), since this song has a tempo of 81 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
This song is in the music key of D Major. This also means that this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Magnificat Fugue Primi Toni VII, P263 | Johann Pachelbel, Matthew Owens | A Major | 2 | 11B | 113 BPM | ||
Greensleaves | Albert Sonstag | D Minor | 0 | 7A | 70 BPM | ||
Adagio in G Minor | Tomaso Albinoni, Chamber Orchestra of Miemo | G Minor | 3 | 6A | 90 BPM | ||
Le Carnaval des Animaux, R. 125: 7. Aquarium | Camille Saint-Saëns, Pascal Rogé, Cristina Ortiz, London Sinfonietta, Charles Dutoit | A Minor | 0 | 8A | 136 BPM | ||
Kinderszenen, Op. 15: 7. Träumerei | Robert Schumann, Alfred Brendel | F Major | 0 | 7B | 135 BPM | ||
The Blue Danube | Johann Strauss II, Eugene Ormandy | D Major | 1 | 10B | 176 BPM | ||
6 Chants polonais, S. 480: No. 2, Frühling (Wiosna, Spring) [After Chopin's Op. 74] | Franz Liszt, Joseph Banowetz | G Minor | 0 | 6A | 96 BPM | ||
Saint-Saëns / Transcr. Vidal: Le carnaval des animaux: XIII. Le cygne | Camille Saint-Saëns, Gautier Capuçon, Douglas Boyd, Orchestre de chambre de Paris | G Major | 0 | 9B | 82 BPM | ||
Suite bergamasque, L. 75: III. Clair de lune | Claude Debussy, Seong-Jin Cho | D♭ Major | 0 | 3B | 135 BPM | ||
Orchestersuite in D Major, BWV 1068: II. Air | Slovak Philharmonic, Bohdan Warchal | D Major | 2 | 10B | 114 BPM |
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