Louis-Nicolas Clérambault, Ensemble Sébastien de Brossard, Fabien Armengaud, Jean-François Novelli's 'Salve Regina, antienne à la Sainte Vierge, C. 114: IV. Et Jesum benedictum' came out on October 21, 2016. With Salve Regina, antienne à la Sainte Vierge, C. 114: IV. Et Jesum benedictum being less than two minutes long, at 1:24, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The song is number 17 out of 30 in Clérambault : Motets à trois voix d’hommes et symphonies by Louis-Nicolas Clérambault, Ensemble Sébastien de Brossard, Fabien Armengaud. In terms of popularity, Salve Regina, antienne à la Sainte Vierge, C. 114: IV. Et Jesum benedictum is currently unknown. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
The tempo marking of Salve Regina, antienne à la Sainte Vierge, C. 114: IV. Et Jesum benedictum by Louis-Nicolas Clérambault, Ensemble Sébastien de Brossard, Fabien Armengaud, Jean-François Novelli is Andante (at a walking pace), since this song has a tempo of 94 BPM. With that information, we can conclude that the song has a slow tempo. This song can go great with yoga or pilates. The time signature for this track is 4/4.
This song is in the music key of F Major. This also means that this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Beatus vir: II. Exortum est | Domenico Zipoli, Florilegium, Bolivian Soloists | D♭ Minor | 0 | 12A | 135 BPM | ||
Ascanio, Sinfonia: II. [Sarabande] | Antonio Lotti, Ensemble Zefiro, Alfredo Bernardini | B Minor | 1 | 10A | 76 BPM | ||
Concerto primo in G Major: I. Andante - Allegro | Baldassare Galuppi, Ensemble StilModerno | G Major | 2 | 9B | 122 BPM | ||
Suite No. 12 in C Major, FbWV 612: III. Sarabande | Johann Jakob Froberger, Władysław Kłosiewicz | B Major | 2 | 1B | 80 BPM | ||
Premier livre d'orgue, Suite du premier ton: No. 7, Dialogue sur les grands jeux | Louis-Nicolas Clérambault, Michel Chapuis | G Major | 0 | 9B | 66 BPM | ||
The Fairy Queen, Z. 629, Act I: Rondeau | Henry Purcell, Vox Orchester, Lorenzo Ghirlanda | A Major | 1 | 11B | 154 BPM | ||
Mori, mi dici (II) | Alessandro Scarlatti, Cappella Mediterranea, Leonardo García-Alarcón, Ana Vieira Leite, Mariana Flores, Léo Fernique, Valerio Contaldo, Matteo Bellotto | B♭ Minor | 0 | 3A | 110 BPM | ||
Violin Sonata in C Major, Op. 5 No. 3: III. Adagio (Version for Flute) | Arcangelo Corelli, Anna Besson, Myriam Rignol, Jean Rondeau | A♭ Major | 1 | 4B | 105 BPM | ||
Ground in A Minor | Christopher Simpson, Mika Suihkonen, Ballo della Battalia | B Major | 4 | 1B | 98 BPM | ||
Trio Sonata in G Minor: I. Adagio | Giovanni Battista Draghi, La Rêveuse, Florence Bolton, Benjamin Perrot | A♭ Minor | 2 | 1A | 110 BPM |
Section: 0.6488387584686279
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