"Symphony No. 7 in C Major, Op. 60 "Leningrad" (Rehearsal Excerpts): I. Allegretto [Das ist eine sehr laute Symphonie]" by Dmitri Shostakovich, Mariss Jansons, Bavarian Radio Symphony Orchestra was released on April 1, 2022. Symphony No. 7 in C Major, Op. 60 "Leningrad" (Rehearsal Excerpts): I. Allegretto [Das ist eine sehr laute Symphonie] is about six minutes long, preciously at 5:36, making this song fairly long compared to other songs. There are a total of 20 in the song's album "Shostakovich: Symphony No. 7 in C Major, Op. 60 "Leningrad" (Rehearsal Excerpts)". In this album, this song's track order is #7. Furthermore, we believe that the track originated from Germany. Based on our statistics, Symphony No. 7 in C Major, Op. 60 "Leningrad" (Rehearsal Excerpts): I. Allegretto [Das ist eine sehr laute Symphonie]'s popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Symphony No. 7 in C Major, Op. 60 "Leningrad" (Rehearsal Excerpts): I. Allegretto [Das ist eine sehr laute Symphonie] by Dmitri Shostakovich, Mariss Jansons, Bavarian Radio Symphony Orchestra having a BPM of 124 with a half-time of 62 BPM and a double-time of 248 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 3/4.
C Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Ballet Suite No. 4 (arr. L. Atovmyan): Prelude (Variation) (The Limpid Stream) | Lev Atovmyan, Dmitri Shostakovich, Russian Philharmonic Orchestra, Dmitry Yablonsky | B Minor | 2 | 10A | 77 BPM | ||
Prokofiev: Romeo and Juliet, Op. 64, Act 1, Scene 2: Dance of the Knights | Sergei Prokofiev, André Previn, London Symphony Orchestra | C Major | 1 | 8B | 86 BPM | ||
Nabucco: Overture | Giuseppe Verdi, Berliner Philharmoniker, Claudio Abbado | F Major | 2 | 7B | 100 BPM | ||
Kinderszenen, Op.15: 1. Von fremden Ländern und Menschen | Robert Schumann, Martha Argerich | G Major | 0 | 9B | 128 BPM | ||
Polovetsian Dances from Prince Igor: Introduzione | Alexander Borodin, George Szell, Cleveland Orchestra | A Major | 1 | 11B | 83 BPM | ||
The Tale of Tsar Saltan: The Tale of Tsar Saltan: Flight of the Bumblebee | Nikolai Rimsky-Korsakov, Seattle Symphony Orchestra, Gerard Schwarz | G Major | 1 | 9B | 80 BPM | ||
6 Album Leaves, Op. 2, JB 1:51: No. 2 in A Minor, Chanson. Moderato | Bedřich Smetana, Jitka Čechová | A Minor | 0 | 8A | 66 BPM | ||
Piano Concerto No.23 In A, K.488 - Cadenza: Feruccio Busoni: 1. Allegro | Wolfgang Amadeus Mozart, Ferruccio Busoni, Vladimir Horowitz, Orchestra Del Teatro Alla Scala, Milano, Carlo Maria Giulini | A Major | 1 | 11B | 140 BPM | ||
Peter and the Wolf, Op. 67 (Without Narration): The Bird | Sergei Prokofiev, Slovak Radio Symphony Orchestra, Ondrej Lenard | C Major | 0 | 8B | 99 BPM | ||
Consolation No. 3 in D-Flat Major, S. 172/3 | Franz Liszt, Vladimir Horowitz | D♭ Major | 0 | 3B | 70 BPM |
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