"La Jolie Fille De Perth Suite: Prelude" by New Zealand Symphony Orchestra, Georges Bizet was released on November 4, 1994. Since La Jolie Fille De Perth Suite: Prelude is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The song is number 10 out of 12 in Bizet: Symphony In C Major/Jeux D'enfants/Scènes Bohémiennes by New Zealand Symphony Orchestra. Based on our statistics, La Jolie Fille De Perth Suite: Prelude's popularity is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of La Jolie Fille De Perth Suite: Prelude by New Zealand Symphony Orchestra, Georges Bizet is Allegro (fast, quick, and bright), since this song has a tempo of 135 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 4/4.
This song has a musical key of C Major. This also means that this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
La Mer, L.109: 2. Play of the Waves (Jeux de vagues) | Claude Debussy, Orchestre Symphonique de Montréal, Charles Dutoit | E Major | 1 | 12B | 113 BPM | ||
Ruslan and Ludmila: Overture | Mikhail Glinka, The USSR Bolshoy Theatre Orchestra, Yevgeny Svetlanov | F Major | 3 | 7B | 81 BPM | ||
Symphony No. 5 in D Minor, Op. 47: II. Allegretto | Dmitri Shostakovich, Gianandrea Noseda, London Symphony Orchestra | C Major | 1 | 8B | 138 BPM | ||
Sinfonietta, Op. 23: II. Ballade: Sehr gemessen [poco adagio], doch nicht schleppend - | Alexander von Zemlinsky, New Zealand Symphony Orchestra, James Judd | F♯ Major | 0 | 2B | 73 BPM | ||
Symphonie fantastique, Op. 14, H 48: V. Songe d'une nuit de sabbat | Hector Berlioz, London Symphony Orchestra, Sir Colin Davis | C Minor | 1 | 5A | 60 BPM | ||
Capriol Suite: 2. Pavane | Peter Warlock, Academy of St. Martin in the Fields, Sir Neville Marriner | B♭ Major | 0 | 6B | 160 BPM | ||
A Midsummer Night's Dream, Op. 61: Scherzo | Felix Mendelssohn, Philippe Herreweghe, Orchestre des Champs-Élysées | G Minor | 1 | 6A | 118 BPM | ||
Variations and Fugue on a Theme of J.A. Hiller, Op. 100: Fuge: Allegro moderato (ma con spirito) | Max Reger, New Zealand Symphony Orchestra, Franz-Paul Decker | E Major | 1 | 12B | 83 BPM | ||
The Firebird: Scene 1: The Firebird's Lullaby | Igor Stravinsky, City Of Birmingham Symphony Orchestra, Andris Nelsons | B Major | 0 | 1B | 117 BPM | ||
Petite suite: I. En bateau (arr. H. Busser for orchestra): II. Cortege | Claude Debussy, Henri Büsser, Orchestre National De Lyon, Jun Markl | E Major | 1 | 12B | 87 BPM |
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