Über Antisemitismus 9.3.1940, New York - Thomas Mann Information

Acousticness
88%
Danceability
38%
Energy
25%
Instrumentalness
36%
Liveness
18%
Loudness
60%
Speechiness
16%
Valence
38%
Popularity
Loudness
-24.267 dB

Summary

Thomas Mann's 'Über Antisemitismus 9.3.1940, New York' came out on June 30, 1988. With Über Antisemitismus 9.3.1940, New York being less than two minutes long, at 1:29, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The song is number 29 out of 102 in Entartete Musik - Eine Tondokumentation zur Düsseldorfer Ausstellung von 1938 by Various Artists. Going off of the ISRC code of this track, we detected that the origin of this track is from Germany. Über Antisemitismus 9.3.1940, New York is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.

Über Antisemitismus 9.3.1940, New York BPM

The tempo marking of Über Antisemitismus 9.3.1940, New York by Thomas Mann is Andante (at a walking pace), since this song has a tempo of 79 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.

Über Antisemitismus 9.3.1940, New York Key

This song has a musical key of G Major. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.

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ISRC
DEC041665070
Label
L-M Records/RCA Records

Section: 0.6139280796051025

End: 0.6185226440429688