"Sei Concerti in sette parti: No. 5 in D Minor: II. Grave" by Alessandro Scarlatti, Concerto de' Cavalieri, Marcello di Lisa was released on November 11, 2016. With Sei Concerti in sette parti: No. 5 in D Minor: II. Grave being less than two minutes long, at 1:28, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The song is number 24 out of 37 in Concertos and Opera Overtures by Alessandro Scarlatti, Concerto de' Cavalieri, Marcello di Lisa. Sei Concerti in sette parti: No. 5 in D Minor: II. Grave is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Sei Concerti in sette parti: No. 5 in D Minor: II. Grave by Alessandro Scarlatti, Concerto de' Cavalieri, Marcello di Lisa is Andante (at a walking pace), since this song has a tempo of 81 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
A♭ Major is the music key of this track. This also means that this song has a camelot key of 4B. So, the perfect camelot match for 4B would be either 4B or 5A. While, 5B can give you a low energy boost. For moderate energy boost, you would use 1B and a high energy boost can either be 6B or 11B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 4A or 3B will give you a low energy drop, 7B would be a moderate one, and 2B or 9B would be a high energy drop. Lastly, 1A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Klag Lied in D Minor, BuxWV 76: II. Contrapunctus II & Evolutio | Dietrich Buxtehude, Ensemble les Surprises, Louis-Noël Bestion de Camboulas, Maÿlis de Villoutreys | E Minor | 1 | 9A | 83 BPM | ||
The Indian Queen, Z. 630 : Act III - Trumpet Overture | The Scholars Baroque Ensemble, John Dryden, Henry Purcell | D♭ Major | 1 | 3B | 112 BPM | ||
Alcidiane: Recits Italiens chantes par Mademoiselle de la Barre et la Signora Anna Bergerotti | Jean-Baptiste Lully, Mary Enid Haines, Sharla Nafziger, Aradia Ensemble, Kevin Mallon | B Major | 0 | 1B | 165 BPM | ||
O di Betlemme altera: 2. Recitativo: O di Betlemme altera - 3. Aria: Dal bel seno d'una stella | Alessandro Scarlatti, Nancy Argenta, The English Concert, Trevor Pinnock, Peter Hanson, Walter Reiter, Trevor Jones, Jane Coe, Peter McCarthy | D♭ Major | 1 | 3B | 84 BPM | ||
Oboe Concerto in C Major, Op. 9, No. 5: III. Allegro | Tomaso Albinoni, Anthony Camden, London Virtuosi, John Georgiadis | C Major | 3 | 8B | 103 BPM | ||
Rameau : Hippolyte et Aricie : Overture | Jean-Philippe Rameau, William Christie, Les Arts Florissants | C Major | 2 | 8B | 161 BPM | ||
Oboe Concerto in C Major on Themes of Pergolesi: III. Andantino | Anthony Camden, City of London Sinfonia, Nicholas Ward | C Minor | 0 | 5A | 48 BPM | ||
Sinfonia No. 9 in G Minor, RosS 533.9: III. Moderato | Alessandro Scarlatti, Dorothee Oberlinger, Ensemble 1700 | F♯ Minor | 1 | 11A | 98 BPM | ||
Trumpet Sonata in D Major, Z. 850: I. Allegro | Henry Purcell, Ede Inhoff, Hungarian State Opera Chamber Orchestra | E♭ Minor | 0 | 2A | 83 BPM | ||
Concerto a cinque No. 3, Op. 7: III. Allegro | Tomaso Albinoni, Paul Dombrecht, Il Fondamento | A Major | 3 | 11B | 120 BPM |
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