"Act III: Waltz Sequence No. 2" by Manfred Honeck, Bamberg Symphony Orchestra was released on 1997. Since Act III: Waltz Sequence No. 2 is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. There are a total of 19 in the song's album "The Golden Pavilion: Selection of Orchestral Classics". In this album, this song's track order is #9. In terms of popularity, Act III: Waltz Sequence No. 2 is currently unknown. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Act III: Waltz Sequence No. 2 by Manfred Honeck, Bamberg Symphony Orchestra having a BPM of 91 with a half-time of 46 BPM and a double-time of 182 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. Looking at the BPM of this song, this song might go great with yoga or pilates. The time signature for this track is 5/4.
This song is in the music key of G Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Des Matrosen Heimkehr: Tanz der Schiffsjungen | Franz von Suppé, Tonkünstler-Orchester, Ola Rudner | D Major | 2 | 10B | 168 BPM | ||
Achmet und Zenide, Act IV: Marsch | Paul Wranitzky, Czech Philharmonic Chamber Orchestra, Marek Štilec | B♭ Major | 2 | 6B | 108 BPM | ||
Symphony No. 9 in E Minor, Op. 95 "From the New World": IV. Allegro con fuoco - 2024 Remastered Version | Antonín Dvořák, Arthur Fiedler, Boston Symphony Orchestra | G Minor | 2 | 6A | 126 BPM | ||
Symphony No. 4 in D Minor, Op. 25: III. Intermezzo. Larghetto | Louis Théodore Gouvy, Deutsche Radio Philharmonie Saarbrücken-Kaiserslautern, Jacques Mercier | D Major | 0 | 10B | 82 BPM | ||
Moonlight Sonata, Op. 27 No. 2 (Ludwig Van Beethoven) | The Gerst Ensemble | D Major | 0 | 10B | 85 BPM | ||
Tales from Hofmann Barcarole | Frank Shipway, Royal Philharmonic Orchestra | D Major | 0 | 10B | 141 BPM | ||
Valses nobles et sentimentales, M. 61 (1912 Version for Orchestra): No. 3, Modéré | Maurice Ravel, Basque National Orchestra, Robert Trevino | C Major | 0 | 8B | 82 BPM | ||
Kefka (From "Final Fantasy VI") | ChrystalChameleon | A♭ Minor | 1 | 1A | 70 BPM | ||
Symphony No. 5 in D Minor, Op. 47: II. Allegretto | Dmitri Shostakovich, Hong Kong Philharmonic Orchestra, Jaap Van Zweden | C Major | 1 | 8B | 78 BPM | ||
Romeo and Juliet, Op. 64: No. 14 Juliet's Variation | Sergei Prokofiev, Orchestra of the Royal Opera House, Covent Garden, Mark Ermler | F Major | 0 | 7B | 78 BPM |
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