Ivan Wyschnegradsky, Josef Christof, Steffen Schleiermacher's 'Preludes in Quarter-Tone System: XVII' came out on 2006. With Preludes in Quarter-Tone System: XVII being less than two minutes long, at 1:19, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There are a total of 17 in the song's album "Quarter-Tone Pieces". In this album, this song's track order is #7. In terms of popularity, Preludes in Quarter-Tone System: XVII is currently not that popular. Although the overall vibe is very danceable, it does project more negative sounds.
With Preludes in Quarter-Tone System: XVII by Ivan Wyschnegradsky, Josef Christof, Steffen Schleiermacher having a BPM of 119 with a half-time of 60 BPM and a double-time of 238 BPM, we would consider this track to have a Moderato (at a moderate speed) tempo marking. Because of this, we believe that the song has an overall moderate tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 5/4.
This song is in the music key of A Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 11B. So, the perfect camelot match for 11B would be either 11B or 12A. While, 12B can give you a low energy boost. For moderate energy boost, you would use 8B and a high energy boost can either be 1B or 6B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 11A or 10B will give you a low energy drop, 2B would be a moderate one, and 9B or 4B would be a high energy drop. Lastly, 8A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Four Dirges, Sz. 45, Op. 9a: 1. Adagio | Béla Bartók, Alexei Lubimov | E Major | 0 | 12B | 0 BPM | ||
7 Piano pieces, Op. 11: No. 2. Szekely lament: Rubato parlando | Zoltán Kodály, Andrew Rangell | E♭ Major | 1 | 5B | 64 BPM | ||
American Berserk | John Adams | G Minor | 2 | 6A | 108 BPM | ||
Variations on a Polish Theme, Op. 10: No. 1 Meno mosso | Karol Szymanowski, Martin Roscoe | F♯ Minor | 1 | 11A | 68 BPM | ||
Longing in Minor | Lady Ivory | B Minor | 0 | 10A | 109 BPM | ||
Three Latin Prayers for solo voice: Ave Maria for violoncello solo | Giacinto Scelsi, Frances-Marie Uitti | E Minor | 0 | 9A | 80 BPM | ||
Scaramouche pour 2 pianos: Vif | Darius Milhaud, Edouard Exerjean, Philippe Corre | E Minor | 1 | 9A | 183 BPM | ||
String Quartet No. 7: Scurrying, Forceful, Intense | Ben Johnston, Kepler Quartet | G Major | 4 | 9B | 86 BPM | ||
Danzas Argentinas, Op. 2: No. 3, Danza del gaucho matrero | Alberto Ginastera, Luca Sacher | C Major | 3 | 8B | 81 BPM | ||
Toccata, Op. 11 | Sergei Prokofiev, Martha Argerich | G Minor | 1 | 6A | 96 BPM |
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