Nicol Matt, Robert Sagasser, Jörg Halobek, Heike Hümmer, Martina Rotbauer, Jens Wollenschläger, Johann Sebastian Bach, Soloists Of The Freiburger Barockorchester, Ute Petersilge, Nordic Chamber Choir's 'Ich Dank' Dir, Lieber Herre Bwv 347' came out on March 28, 2007. With Ich Dank' Dir, Lieber Herre Bwv 347 being less than two minutes long, at 1:01, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The song is number 34 out of 201 in Bach Edition Vol. 23, Chor by Nicol Matt. Going off of the ISRC code of this track, we detected that the origin of this track is from Netherlands. Ich Dank' Dir, Lieber Herre Bwv 347 is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Ich Dank' Dir, Lieber Herre Bwv 347 by Nicol Matt, Robert Sagasser, Jörg Halobek, Heike Hümmer, Martina Rotbauer, Jens Wollenschläger, Johann Sebastian Bach, Soloists Of The Freiburger Barockorchester, Ute Petersilge, Nordic Chamber Choir is Andante (at a walking pace), since this song has a tempo of 89 BPM. With that information, we can conclude that the song has a slow tempo. This song can go great with yoga or pilates. The time signature for this track is 3/4.
This song has a musical key of A♭ Minor. Because this track belongs in the A♭ Minor key, the camelot key is 1A. So, the perfect camelot match for 1A would be either 1A or 12B. While, a low energy boost can consist of either 1B or 2A. For moderate energy boost, you would use 10A and a high energy boost can either be 3A or 8A. However, if you are looking for a low energy drop, finding a song with a camelot key of 12A would be a great choice. Where 4A would give you a moderate drop, and 11A or 6A would be a high energy drop. Lastly, 4B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Kuhnau: Magnificat in C Major: V. Chorus. "Quia fecit" | Johann Kuhnau, Hermann Max, Das Kleine Konzert, Rheinische Kantorei | D♭ Major | 2 | 3B | 109 BPM | ||
Harp Concerto B Flat Major Hwv 294: Andante Allegro | Nicol Matt, Reinhard Geller, Stuttgart Chamber Orchestra, George Frideric Handel, Christian Schmitt | B♭ Major | 2 | 6B | 90 BPM | ||
Biber: Requiem a 15 in A Major: III. Sequenz | Heinrich Ignaz Franz von Biber, Ton Koopman, Amsterdam Baroque Choir, Amsterdam Baroque Orchestra | B♭ Major | 0 | 6B | 139 BPM | ||
Elias, Op. 70: Teil II: Sei stille dem Herrn | Felix Mendelssohn, Thomas Hengelbrock | C Major | 0 | 8B | 86 BPM | ||
Kyrie: I. Kyrie | Cristobal de Morales, Musica Ficta, Raúl Mallavibarrena | A♭ Major | 0 | 4B | 72 BPM | ||
Kyrie, R. 587: 2. Allegro: Christe eleison | Antonio Vivaldi, Kaia Urb, Anna Zander, Tallinn Chamber Orchestra, Estonian Philharmonic Chamber Choir, Tõnu Kaljuste | G Minor | 2 | 6A | 103 BPM | ||
Confitebor tibi Domine, ZWV 72: Et in saecula saeculorum - After Psalm 110 | Jan Dismas Zelenka, Adam Viktora, Inégal Ensemble, Prague Baroque Solists | B Major | 2 | 1B | 100 BPM | ||
Deutsche Messe, D. 872: Schlussgesang: Nicht zu langsam | Franz Schubert, Immortal Bach Ensemble, Leipzig Chamber Orchestra, Morten Schuldt-Jensen | E Major | 0 | 12B | 76 BPM | ||
Sieben Lieder Op. 62: 7. Vergangen Ist Mir Glück Und Heil | Chamber Choir Of Europe, Reinhard Geller, Jürgen Meier, Johannes Brahms, Nicol Matt | A Minor | 1 | 8A | 78 BPM | ||
Weltliche A-Cappella-Gesänge, Secular A-Cappella Choral Works Op. 42: 1. Abenständchen | Chamber Choir Of Europe, Jürgen Meier, Johannes Brahms, Reinhard Geller, Nicol Matt | G Major | 2 | 9B | 81 BPM |
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