Enrique Orozco, Paco Aguilera's 'Puentecito: Bulerías' came out on May 15, 2001. The duration of Puentecito: Bulerías is about two minutes long, specifically at 2:20. This song does not appear to have any foul language. Puentecito: Bulerías's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Enrique Orozco, Emilio Abadía, El Peluso's "Grandes Clásicos del Cante Flamenco. Vol. 27: Aires del Cante de Sevilla" album is number 4 out of 18. On top of that, Spain appears to be the country where this track was created. In terms of popularity, Puentecito: Bulerías is currently not that popular. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
We consider the tempo marking of Puentecito: Bulerías by Enrique Orozco, Paco Aguilera to be Andante (at a walking pace) because the track has a tempo of 94 BPM, a half-time of 47BPM, and a double-time of 188 BPM. Based on that, the speed of the song's tempo is slow. Activities such as, yoga or pilates, can go well with this song. The time signature for this track is 3/4.
E Minor is the music key of this track. Because this track belongs in the E Minor key, the camelot key is 9A. So, the perfect camelot match for 9A would be either 9A or 8B. While, a low energy boost can consist of either 9B or 10A. For moderate energy boost, you would use 6A and a high energy boost can either be 11A or 4A. However, if you are looking for a low energy drop, finding a song with a camelot key of 8A would be a great choice. Where 12A would give you a moderate drop, and 7A or 2A would be a high energy drop. Lastly, 12B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Aurora | Novia Berkeley | C Minor | 5 | 5A | 111 BPM | ||
Todo Te Lo He Dao | Perlita de Huelva | F♯ Minor | 7 | 11A | 91 BPM | ||
La Rosa del Penal | Juanito Valderrama | E♭ Minor | 4 | 2A | 136 BPM | ||
Enrique Orozco Habla de Cuando Tomó un Taxi Con Vallejo para Ir a Grabar a Madrid - Fandangos 1935 | Enrique Orozco | D Major | 4 | 10B | 134 BPM | ||
Yo soy como quién yo sé (Bulería) | Curro Malena, Rogelio Conesa, Quique Paredes | F♯ Major | 4 | 2B | 108 BPM | ||
Flamenco Por Derecho | Perlita de Huelva | F♯ Minor | 7 | 11A | 91 BPM | ||
Canto a la Madre: Campanilleros | Adelfa Soto | B Major | 1 | 1B | 122 BPM | ||
Y Como Mía Te Adoro | Rengel | D Major | 5 | 10B | 76 BPM | ||
Río Guadalquivir (Bambera) | Manolo Simón | C Minor | 3 | 5A | 131 BPM | ||
No Distingue de Colores | Rafael Farina, Spain | G Major | 1 | 9B | 118 BPM |
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