Louis Armstrong's ' "It's Been A Long, Long Time" was released on its scheduled release date, October 25, 1964. The duration of This song is about two minutes long, specifically at 2:22. This song does not appear to have any foul language. It's Been A Long, Long Time's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Louis Armstrong's "Hello, Dolly! (Remastered)" album is number 2 out of 12. On top of that, United States appears to be the country where this track was created. In terms of popularity, It's Been A Long, Long Time is currently average in popularity. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
We consider the tempo marking of It's Been A Long, Long Time by Louis Armstrong to be Andante (at a walking pace) because the track has a tempo of 95 BPM, a half-time of 48BPM, and a double-time of 190 BPM. Based on that, the speed of the song's tempo is slow. Activities such as, yoga or pilates, can go well with this song. The time signature for this track is 4/4.
This song is in the music key of C Major. This also means that this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
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Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
On The Sunny Side Of The Street | Louis Armstrong | C Major | 3 | 8B | 95 BPM | ||
It's All Right With Me - 2002 - Remastered | Kay Starr | F Minor | 4 | 4A | 96 BPM | ||
I Want To Be Happy | June Christy | A Minor | 5 | 8A | 131 BPM | ||
Orange Colored Sky | Nat King Cole | B♭ Major | 2 | 6B | 129 BPM | ||
Fit as a Fiddle | Avalon Jazz Band | G Minor | 2 | 6A | 198 BPM | ||
Blueberry Hill | Louis Armstrong | D Major | 2 | 10B | 88 BPM | ||
I Fall In Love Too Easily | Johnny Hartman | G Minor | 2 | 6A | 59 BPM | ||
The Glory of Love | Jimmy Durante | F Major | 3 | 7B | 97 BPM | ||
Bill Bailey, Won't You Please Come Home | The Cast | C Minor | 4 | 5A | 113 BPM | ||
I’m Getting Sentimental Over You | Tommy Dorsey Orchestra | D Major | 0 | 10B | 86 BPM | ||
You Turned The Tables On Me | Anita O'Day, Oscar Peterson Quartet | A Minor | 1 | 8A | 115 BPM | ||
Tin Roof Blues | Louis Armstrong | B♭ Major | 4 | 6B | 69 BPM | ||
Flippity flop flop | Helen Humes | F Major | 2 | 7B | 130 BPM | ||
If You Love Me (Really Love Me) | Kay Starr | A Major | 2 | 11B | 87 BPM | ||
Comes Love | Ella Fitzgerald, Louis Armstrong | D Major | 3 | 10B | 134 BPM | ||
Only You (And You Alone) | The Platters | E♭ Major | 3 | 5B | 84 BPM | ||
It's De-Lovely | Jeri Southern | F Minor | 1 | 4A | 149 BPM | ||
Through a Long and Sleepless Night | Etta Jones | A Minor | 1 | 8A | 117 BPM | ||
Mr. Sandman | The Chordettes | G Major | 3 | 9B | 131 BPM | ||
Whisper Not | Anita O'Day, The Three Sounds | F Minor | 2 | 4A | 126 BPM | ||
Shine | Ella Fitzgerald and Her Savoy Eight | D Major | 2 | 10B | 145 BPM | ||
There Will Never Be Another You | Ernestine Anderson | F Major | 2 | 7B | 136 BPM | ||
Put the Blame on Mame | Jazz At The Movies | D Minor | 1 | 7A | 141 BPM | ||
Straighten Up And Fly Right - Single Version | The Andrews Sisters, Vic Schoen & His Orchestra | E♭ Major | 3 | 5B | 80 BPM | ||
You're A Lucky Guy | Artie Shaw, Tony Pastor | A♭ Major | 3 | 4B | 170 BPM |