"Serrano: La Dolorosa, Act 1: No. 2, Relato, "La roca fría del Calvario" (Rafael)" by Jose Serrano, Rolando Villazón, Plácido Domingo, Orquesta de la Comunidad de Madrid had its release date on February 5, 2007. With this song being around four minutes long, at 4:04, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The track order of this song in Rolando Villazón, Plácido Domingo, Orquesta de la Comunidad de Madrid's "Gitano" album is number 7 out of 15. On top of that, United Kingdom appears to be the country where this track was created. The popularity of Serrano: La Dolorosa, Act 1: No. 2, Relato, "La roca fría del Calvario" (Rafael) is currently not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Serrano: La Dolorosa, Act 1: No. 2, Relato, "La roca fría del Calvario" (Rafael) by Jose Serrano, Rolando Villazón, Plácido Domingo, Orquesta de la Comunidad de Madrid to be Vivace (lively and fast) because the track has a tempo of 172 BPM, a half-time of 86BPM, and a double-time of 344 BPM. Based on that, the speed of the song's tempo is fast. The time signature for this track is 3/4.
This song is in the music key of D Major. This also means that this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Doña Francisquita | Orquesta Sinfonica de Juan Alfonso | G Minor | 8 | 6A | 104 BPM | ||
La cancion del olvido, Act I: Junto al puente de la pena | Jose Serrano, Carlos Álvarez, Galicia Symphony Orchestra, Miquel Ortega | D Major | 8 | 10B | 124 BPM | ||
Siempre Que Te Ahogue una Pena / Tantos Desprecios Me Das - Remastered | Jesús Gracia, Rondalla Santamaría, Florencio Santamaría | E Major | 4 | 12B | 87 BPM | ||
Offenbach: La vie parisienne, Act 1: Chœur. "À Paris, nous arrivons en masse" - "Je suis Brésilien, j'ai de l'or" (Gardefeu, Le Baron, La Baronne, Le Brésilien, Chœur) | Jacques Offenbach, Michel Plasson, Christiane Château, Choeur Du Capitole De Toulouse, Jean Christophe Benoit, Luis Masson, Michel Sénéchal, Orchestre Du Capitole De Toulouse | C Major | 3 | 8B | 98 BPM | ||
Fedora / Act 2: "Amor ti vieta" | Umberto Giordano, Roberto Alagna, Orchestra of the Royal Opera House, Covent Garden, Sir Mark Elder | C Major | 1 | 8B | 91 BPM | ||
El Arte de Cuchares | Banda de Musica de la Guardia Real | G Major | 3 | 9B | 113 BPM | ||
Alma de Dios: Canta Mendigo Errante, Cantos de Tu Niñez (Canción Húngara) - Remastered | Carlos Arniches, Enrique Garcia Alvarez, Jose Serrano, Marcos Redondo | A Major | 3 | 11B | 71 BPM | ||
Marcha De Cadiz | Popular Folk Chants | C Major | 1 | 8B | 92 BPM | ||
La gran via: Tango de la menegilda | Ana Maria Iriarte, Ataúlfo Argenta, Coros Cantores De Madrid, José Perera, Orquesta de Cámara de Madrid, Toñy Rosado, Federico Chueca | E Minor | 2 | 9A | 102 BPM | ||
Werther: Pourquoi me réveiller | Jules Massenet, Roberto Alagna, London Philharmonic Orchestra, Richard Armstrong | F♯ Minor | 1 | 11A | 67 BPM |