Claudio Arrau's 'Carnaval, Op. 9: No. 2, Pierrot, in E-Flat Major' came out on February 21, 2013. With Carnaval, Op. 9: No. 2, Pierrot, in E-Flat Major being less than a minute long, we are pretty confident that this song does not contain any foul language. That being said, this song is pretty short compared to other songs. The track order of this song in New York Philharmonic, Guido Cantelli, Claudio Arrau's "Grosse Pianisten - Claudio Arrau" album is number 2 out of 28. In terms of popularity, Carnaval, Op. 9: No. 2, Pierrot, in E-Flat Major is currently unknown. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
We consider the tempo marking of Carnaval, Op. 9: No. 2, Pierrot, in E-Flat Major by Claudio Arrau to be Andante (at a walking pace) because the track has a tempo of 104 BPM, a half-time of 52BPM, and a double-time of 208 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
B♭ Major is the music key of this track. This also means that this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
10 Pieces for Piano, Op. 24: Romance, No. 9 | Jean Sibelius, Leif Ove Andsnes | D♭ Major | 0 | 3B | 69 BPM | ||
Sonata in E Minor (Allegrissimo), Kk. 98 | Domenico Scarlatti, Ivo Pogorelich | E Minor | 0 | 9A | 84 BPM | ||
Partita No. 3 in A minor, BWV 827: 2. Allemande | Johann Sebastian Bach, Claudio Arrau | A Minor | 1 | 8A | 93 BPM | ||
Piano Concerto No. 1 in G Minor, Op. 25, MWV O7: 2. Andante | Felix Mendelssohn, Lang Lang, Chicago Symphony Orchestra, Daniel Barenboim | E Major | 0 | 12B | 80 BPM | ||
Nocturne No. 4 in A Major | John Field, Benjamin Frith | A Major | 0 | 11B | 69 BPM | ||
Keyboard Sonata No. 60 in C Major, Hob.XVI:50: II. Adagio | Franz Joseph Haydn, Jenő Jandó | F Major | 0 | 7B | 64 BPM | ||
Waltz in F Minor | Vladimir Horowitz, Valery Kuleshov | B♭ Minor | 0 | 3A | 75 BPM | ||
4 Sketches, Op. 5, JB 1:67: No. 2, Melancholy. Allegretto | Bedřich Smetana, Jitka Čechová | A♭ Minor | 0 | 1A | 173 BPM | ||
12 Etudes d'exécution transcendante, S.139: No.12 Chasse neige (Andante con moto) | Franz Liszt, Claudio Arrau | B♭ Minor | 2 | 3A | 91 BPM | ||
Schubert: Moments musicaux, Op. 94, D. 780: No. 3 in F Minor (Recorded 1921) | Franz Schubert, Claudio Arrau | F♯ Major | 0 | 2B | 73 BPM |
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