Johann Sebastian Bach, Jean-Guihen Queyras's 'Suite No. 1 in G Major BWV 1007.: V. Menuets I & II' came out on October 9, 2007. The duration of Suite No. 1 in G Major BWV 1007.: V. Menuets I & II is about 3 minutes long, at 3:05. Based on our data, "Suite No. 1 in G Major BWV 1007.: V. Menuets I & II" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The track order of this song in Johann Sebastian Bach, Jean-Guihen Queyras's "J.S. Bach: Complete Cello Suites" album is number 5 out of 36. On top of that, France appears to be the country where this track was created. Based on our statistics, Suite No. 1 in G Major BWV 1007.: V. Menuets I & II's popularity is below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Suite No. 1 in G Major BWV 1007.: V. Menuets I & II by Johann Sebastian Bach, Jean-Guihen Queyras to be Allegro (fast, quick, and bright) because the track has a tempo of 136 BPM, a half-time of 68BPM, and a double-time of 272 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 4/4.
This song is in the music key of G Major. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Pièces de Clavecin, Livre II, 6e ordre, Livre IV, 22e ordre: VII. Les Tours de passe-passe | François Couperin, Alexandre Tharaud | D Major | 2 | 10B | 131 BPM | ||
String Quartet In F Minor, Hob. III:35, Op.20 No.5: 1. Moderato | Joseph Haydn, Emerson String Quartet | F Minor | 1 | 4A | 121 BPM | ||
Violin Partita No. 3 in E Major, BWV 1006: II. Loure | Johann Sebastian Bach, Hilary Hahn | D♭ Minor | 1 | 12A | 133 BPM | ||
Concerto for Oboe and Cello in G Minor, RV 812: I. Allegro | Antonio Vivaldi, Julian Lloyd Webber, Jiaxin Lloyd Webber, European Union Chamber Orchestra, Hanspeter Hofmann | G Minor | 3 | 6A | 103 BPM | ||
Suite No. 2 in D Minor BWV 1008.: IV. Sarabande | Johann Sebastian Bach, Jean-Guihen Queyras | F Major | 0 | 7B | 105 BPM | ||
Concerto For 2 Keyboards In C Minor, BWV 1060: II. Largo Ovvero Adagio | Cologne Chamber Orchestra, Michael Behringer, Robert Hill, Johann Sebastian Bach | C Minor | 2 | 5A | 176 BPM | ||
7 Variations on the Air Vien qua, Dorina bella by Bianchi, Op. 7, J. 53: Variation 2 | Carl Maria von Weber, Michael Endres | C Major | 1 | 8B | 95 BPM | ||
Suite No. 4 in E Flat Major BWV 1010.: I. Prélude | Johann Sebastian Bach, Jean-Guihen Queyras | G Major | 2 | 9B | 84 BPM | ||
Handel: Organ Concerto in F Major, Op. 4 No. 4, HWV 292: I. Allegro | George Frideric Handel, Valda Aveling, Menuhin Festival Orchestra, Simon Preston, Yehudi Menuhin | A Major | 1 | 11B | 79 BPM | ||
Bach, JS : Well-Tempered Clavier Book 1 : Prelude No.3 in C sharp major BWV848 | Daniel Barenboim | D♭ Major | 1 | 3B | 84 BPM |
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