Robert Stolz, André Rieu, Maastricht Salon Orchestra's 'Auf Der Heide Bluh N Die Letzten Rosen' came out on 1985. The duration of Auf Der Heide Bluh N Die Letzten Rosen is about 3 minutes long, at 3:29. Based on our data, "Auf Der Heide Bluh N Die Letzten Rosen" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The track order of this song in André Rieu, Maastricht Salon Orchestra's "La Belle Epoque" album is number 4 out of 12. On top of that, Belgium appears to be the country where this track was created. The popularity of Auf Der Heide Bluh N Die Letzten Rosen is currently not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Auf Der Heide Bluh N Die Letzten Rosen by Robert Stolz, André Rieu, Maastricht Salon Orchestra to be Presto (very, very fast) because the track has a tempo of 179 BPM, a half-time of 90BPM, and a double-time of 358 BPM. Based on that, the speed of the song's tempo is fast. The time signature for this track is 3/4.
This song has a musical key of C Major. This also means that this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
ララのテーマ / Lara's Theme (映画「ドクトル・ジバゴ」より) | Orlando Pops Orchestra | F Minor | 6 | 4A | 168 BPM | ||
In lauschiger Nacht, Walzer, Op. 488 | Carl Michael Ziehrer, Franz Welser-Möst, Wiener Philharmoniker | E♭ Major | 1 | 5B | 97 BPM | ||
Strohfeuer-Polka | Carl Michael Ziehrer, Hans Schadenbauer, Original C.M. Ziehrer Orchestra | C Major | 3 | 8B | 151 BPM | ||
Gaîté parisienne: Barcarolle - Excerpt | Jacques Offenbach, Orchestre Symphonique de Montréal, Charles Dutoit | D Major | 1 | 10B | 68 BPM | ||
Geschichten Aus Dem Wienerwald, Op.325 (Tales From The Vienna Wood, Waltz / Légendes De La Forêt Viennoise / Valse Strorielle Del Bosco Viennese / Valze Cuentos Del Bosque Vienés, Vals) | Ricci Ferra | B♭ Major | 2 | 6B | 182 BPM | ||
Gold und Silber (Gold and Silver), Op. 79: Waltz | Franz Lehár, Budapest Symphony Orchestra, Géza Oberfrank | C Minor | 3 | 5A | 80 BPM | ||
Introspection 2 - fluit en piano | Rogier Van Otterloo, Dolce Vita | D Major | 1 | 10B | 77 BPM | ||
Air, BWV 1068 - From Orchestral Suite No.3 In D Major | André Rieu, Johann Strauss Orchestra | D Major | 4 | 10B | 142 BPM | ||
One Wall Close My Way | Ernesto Vallini, Brittanni Kia, Kobe Daller, Metasymphony | A Minor | 2 | 8A | 141 BPM | ||
Funiculi Funicula | Luigi Denza, André Rieu, Johann Strauss Orchestra | F Major | 7 | 7B | 140 BPM |
Section: 0.5617682933807373
End: 0.5672488212585449